{"id":14,"date":"2024-02-14T10:43:37","date_gmt":"2024-02-14T13:43:37","guid":{"rendered":"https:\/\/webprisma.com.br\/memoriadamusica\/?page_id=14"},"modified":"2025-10-06T22:57:47","modified_gmt":"2025-10-07T01:57:47","slug":"textos-e-audios","status":"publish","type":"page","link":"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/","title":{"rendered":"Textos e \u00c1udios"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"14\" class=\"elementor elementor-14\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-77eeb6c e-flex e-con-boxed e-con e-parent\" data-id=\"77eeb6c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-64ca113 elementor-widget elementor-widget-heading\" data-id=\"64ca113\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Textos e \u00c1udios<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-c45c48f e-flex e-con-boxed e-con e-parent\" data-id=\"c45c48f\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f3b37a6 elementor-posts--align-center elementor-grid-3 elementor-grid-tablet-2 elementor-grid-mobile-1 elementor-posts--thumbnail-top elementor-posts--show-avatar elementor-card-shadow-yes elementor-posts__hover-gradient load-more-align-center elementor-widget elementor-widget-posts\" data-id=\"f3b37a6\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;pagination_type&quot;:&quot;load_more_on_click&quot;,&quot;cards_columns&quot;:&quot;3&quot;,&quot;cards_columns_tablet&quot;:&quot;2&quot;,&quot;cards_columns_mobile&quot;:&quot;1&quot;,&quot;cards_row_gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:35,&quot;sizes&quot;:[]},&quot;cards_row_gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;cards_row_gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;load_more_spinner&quot;:{&quot;value&quot;:&quot;fas fa-spinner&quot;,&quot;library&quot;:&quot;fa-solid&quot;}}\" data-widget_type=\"posts.cards\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-posts-container elementor-posts elementor-posts--skin-cards elementor-grid\" role=\"list\">\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-3545 post type-post status-publish format-standard hentry category-artigos category-sem-categoria\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/sem-categoria\/folcloristas-e-cultura-popular-desigualdades-e-subjetividades-na-construcao-da-identidade-nacional-brasileira-na-belle-epoque\/\" >\n\t\t\t\tFolcloristas e cultura popular: desigualdades e subjetividades na constru\u00e7\u00e3o da identidade nacional brasileira na Belle \u00c9poque\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/sem-categoria\/folcloristas-e-cultura-popular-desigualdades-e-subjetividades-na-construcao-da-identidade-nacional-brasileira-na-belle-epoque\/\" aria-label=\"Read more about Folcloristas e cultura popular: desigualdades e subjetividades na constru\u00e7\u00e3o da identidade nacional brasileira na Belle \u00c9poque\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t28 de mar\u00e7o de 2026\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-3523 post type-post status-publish format-standard hentry category-recentes category-sem-categoria\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/sem-categoria\/uma-historia-subterranea-do-som-brasileiro-1911-2011\/\" >\n\t\t\t\tUma hist\u00f3ria subterr\u00e2nea do som brasileiro (1911-2011)\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>https:\/\/www.historiassubterraneas.com O pesquisador do LHCS Bruno Tavares M. Macedo, acabou de defender seu doutorado no Programa de P\u00f3s-Gradua\u00e7\u00e3o em Hist\u00f3ria<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/sem-categoria\/uma-historia-subterranea-do-som-brasileiro-1911-2011\/\" aria-label=\"Read more about Uma hist\u00f3ria subterr\u00e2nea do som brasileiro (1911-2011)\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t17 de mar\u00e7o de 2026\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-3511 post type-post status-publish format-standard hentry category-recentes category-sem-categoria\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/sem-categoria\/atuacao-de-presciliano-jose-da-silva-1847-1897-na-cidade-de-sao-paulo-e-obras-remanescentes-na-colecao-museografica-do-conservatorio-dramatico-e-musical-de-sao-paulo\/\" >\n\t\t\t\tAtua\u00e7\u00e3o de Presciliano Jos\u00e9 Da Silva (1847-1897) na Cidade de  S\u00e3o Paulo e obras remanescentes na  cole\u00e7\u00e3o museogr\u00e1fica  do conserv\u00e1torio dr\u00e1matico e musical de S\u00e3o Paulo\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/sem-categoria\/atuacao-de-presciliano-jose-da-silva-1847-1897-na-cidade-de-sao-paulo-e-obras-remanescentes-na-colecao-museografica-do-conservatorio-dramatico-e-musical-de-sao-paulo\/\" aria-label=\"Read more about Atua\u00e7\u00e3o de Presciliano Jos\u00e9 Da Silva (1847-1897) na Cidade de  S\u00e3o Paulo e obras remanescentes na  cole\u00e7\u00e3o museogr\u00e1fica  do conserv\u00e1torio dr\u00e1matico e musical de S\u00e3o Paulo\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t6 de mar\u00e7o de 2026\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-3499 post type-post status-publish format-standard hentry category-recentes\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/tecnologia-cultura-sonora-ynacionalismo-las-primerasexhibiciones-del-fonografo-en-laciudad-de-mexico-1878\/\" >\n\t\t\t\tTecnolog\u00eda, cultura sonora ynacionalismo. Las primerasexhibiciones del fon\u00f3grafo en laCiudad de M\u00e9xico (1878)\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/tecnologia-cultura-sonora-ynacionalismo-las-primerasexhibiciones-del-fonografo-en-laciudad-de-mexico-1878\/\" aria-label=\"Read more about Tecnolog\u00eda, cultura sonora ynacionalismo. Las primerasexhibiciones del fon\u00f3grafo en laCiudad de M\u00e9xico (1878)\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t27 de fevereiro de 2026\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-3312 post type-post status-publish format-standard hentry category-recentes category-teses category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/1974-e-o-rock-progressivo-paulistano-dissertacao-de-mestrado\/\" >\n\t\t\t\t1974 e o rock progressivo paulistano. Matheus Lacorte Naman Angelo de Castro. Tese de Mestrado PPGHS-FFLCH-USP. 2025\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/1974-e-o-rock-progressivo-paulistano-dissertacao-de-mestrado\/\" aria-label=\"Read more about 1974 e o rock progressivo paulistano. Matheus Lacorte Naman Angelo de Castro. Tese de Mestrado PPGHS-FFLCH-USP. 2025\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t20 de outubro de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2962 post type-post status-publish format-standard hentry category-artigos category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/elementor-2962\/\" >\n\t\t\t\tBarulhos modernos, ru\u00eddos coloniais: Biancamaria Binazzi. a sonora S\u00e3o Paulo entre os s\u00e9culos XIX e XX. Uberl\u00e2ndia, v. 26, n. 48, p. 300-305, jan.-jun. 2024.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link. BINAZZI, Biancamaria. Barulhos modernos, ru\u00eddos coloniais: a sonora S\u00e3o Paulo entre os s\u00e9culos XIX e XX. Uberl\u00e2ndia, v. 26,<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/elementor-2962\/\" aria-label=\"Read more about Barulhos modernos, ru\u00eddos coloniais: Biancamaria Binazzi. a sonora S\u00e3o Paulo entre os s\u00e9culos XIX e XX. Uberl\u00e2ndia, v. 26, n. 48, p. 300-305, jan.-jun. 2024.\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t2 de outubro de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2938 post type-post status-publish format-standard hentry category-artigos category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/da-liberdade-como-beneficio-e-encenada-como-magica-uma-critica-a-tecnologia-emancipatoria-posta-em-cena-pelo-movimento-abolicionista-nos-teatros-1880-1888-luiz-paulo-pimentel-de-souza-revista-sal\/\" >\n\t\t\t\tDa liberdade como benef\u00edcio e encenada como m\u00e1gica: uma cr\u00edtica \u00e0 tecnologia emancipat\u00f3ria posta em cena pelo movimento abolicionista nos teatros (1880-1888). Luiz Paulo Pimentel de Souza. Revista Sala Preta, Vol. 24, n. 2. S\u00e3o Paulo, 2025.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link SOUZA, Luiz Paulo Pimentel de. Da liberdade como benef\u00edcio e encenada como m\u00e1gica: uma cr\u00edtica \u00e0 tecnologia emancipat\u00f3ria posta<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/da-liberdade-como-beneficio-e-encenada-como-magica-uma-critica-a-tecnologia-emancipatoria-posta-em-cena-pelo-movimento-abolicionista-nos-teatros-1880-1888-luiz-paulo-pimentel-de-souza-revista-sal\/\" aria-label=\"Read more about Da liberdade como benef\u00edcio e encenada como m\u00e1gica: uma cr\u00edtica \u00e0 tecnologia emancipat\u00f3ria posta em cena pelo movimento abolicionista nos teatros (1880-1888). Luiz Paulo Pimentel de Souza. Revista Sala Preta, Vol. 24, n. 2. S\u00e3o Paulo, 2025.\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t6 de setembro de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2905 post type-post status-publish format-standard hentry category-artigos category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/o-violao-e-a-ordem-publica-censura-e-controle-socialsao-paulo-1890-1932-flavia-prando-revista-per-musi-26-belo-horizonte-2025\/\" >\n\t\t\t\tO Viol\u00e3o e a ordem p\u00fablica: censura e controle social (S\u00e3o Paulo 1890-1932). Flavia Prando. Revista Per Musi, 26. Belo Horizonte, 2025.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link PRANDO, Flavia. O Viol\u00e3o e a ordem p\u00fablico: censura e controle social (S\u00e3o Paulo 1890-1932). Revista Per Musi v.26,<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/o-violao-e-a-ordem-publica-censura-e-controle-socialsao-paulo-1890-1932-flavia-prando-revista-per-musi-26-belo-horizonte-2025\/\" aria-label=\"Read more about O Viol\u00e3o e a ordem p\u00fablica: censura e controle social (S\u00e3o Paulo 1890-1932). Flavia Prando. Revista Per Musi, 26. Belo Horizonte, 2025.\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t16 de maio de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2897 post type-post status-publish format-standard hentry category-artigos category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/tracos-de-uma-nova-cultura-sonora-na-cidade-de-sao-paulo-inicio-do\/\" >\n\t\t\t\tTra\u00e7os de uma nova cultura sonora na cidade de S\u00e3o Paulo (in\u00edcio do s\u00e9culo XX). Jos\u00e9 Geraldo Vinci de Moraes. Revista Mosaico 17, 2024.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link. RAMOS, Nath\u00e1lia Francisca Fernandes. MORAES, Jos\u00e9 Geraldo Vinci de. Tra\u00e7os de uma nova cultura sonora na cidade de S\u00e3o<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/tracos-de-uma-nova-cultura-sonora-na-cidade-de-sao-paulo-inicio-do\/\" aria-label=\"Read more about Tra\u00e7os de uma nova cultura sonora na cidade de S\u00e3o Paulo (in\u00edcio do s\u00e9culo XX). Jos\u00e9 Geraldo Vinci de Moraes. Revista Mosaico 17, 2024.\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t15 de maio de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2847 post type-post status-publish format-standard hentry category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/fonografia-a-nordeste-uma-historia-da-fabrica-de-discos\/\" >\n\t\t\t\tFonografia \u00e0 Nordeste: uma hist\u00f3ria da F\u00e1brica de Discos Discos Rozenblit (1954-1984). Henrique Masera Lopes. USP. S\u00e3o Paulo, 2025.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link. LOPES, Henrique Masera. Fonografia \u00e0 Nordeste: uma hist\u00f3ria da F\u00e1brica de Discos Rozenblit (1954-1984). Tese (Doutorado) &#8211; Faculdade de<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/fonografia-a-nordeste-uma-historia-da-fabrica-de-discos\/\" aria-label=\"Read more about Fonografia \u00e0 Nordeste: uma hist\u00f3ria da F\u00e1brica de Discos Discos Rozenblit (1954-1984). Henrique Masera Lopes. USP. S\u00e3o Paulo, 2025.\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t14 de abril de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2829 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/tracos-da-critica-de-musica-popular-em-sao-paulo-1930-1960\/\" >\n\t\t\t\tTra\u00e7os da cr\u00edtica de m\u00fasica popular em S\u00e3o Paulo (1930\u20131960). Jos\u00e9 Geraldo Vinci de Moraes. Opus, 31. Vit\u00f3ria, 2025.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link. VINCI DE MORAES, Jos\u00e9 Geraldo. Tra\u00e7os da cr\u00edtica de m\u00fasica popular em S\u00e3o Paulo (1930\u20131960). Opus (Assoc. Nac. Pesqui.<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/tracos-da-critica-de-musica-popular-em-sao-paulo-1930-1960\/\" aria-label=\"Read more about Tra\u00e7os da cr\u00edtica de m\u00fasica popular em S\u00e3o Paulo (1930\u20131960). Jos\u00e9 Geraldo Vinci de Moraes. Opus, 31. Vit\u00f3ria, 2025.\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t6 de abril de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2711 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/a-diplomacia-dos-sons-porfirio-diaz-thomas-edison-e-o-fonografo-melhorado-mexico-estados-unidos-1888-1890-jaddiel-diaz-frene-anuario-de-estudios-americanos-79-1-sevilla-2022\/\" >\n\t\t\t\tA diplomacia dos sons. Porfirio D\u00edaz, Thomas Edison e o fon\u00f3grafo melhorado (M\u00e9xico-Estados Unidos, 1888-1890). Jaddiel D\u00edaz Frene. Anuario de Estudios Americanos, 79, 1, Sevilla, 2022.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link. D\u00edaz Frene, Jaddiel. La diplomacia de los sonidos. Porfirio D\u00edaz, Thomas Edison y el fon\u00f3grafo mejorado (M\u00e9xico-Estados Unidos, 1888-1890),<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/a-diplomacia-dos-sons-porfirio-diaz-thomas-edison-e-o-fonografo-melhorado-mexico-estados-unidos-1888-1890-jaddiel-diaz-frene-anuario-de-estudios-americanos-79-1-sevilla-2022\/\" aria-label=\"Read more about A diplomacia dos sons. Porfirio D\u00edaz, Thomas Edison e o fon\u00f3grafo melhorado (M\u00e9xico-Estados Unidos, 1888-1890). Jaddiel D\u00edaz Frene. Anuario de Estudios Americanos, 79, 1, Sevilla, 2022.\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t27 de mar\u00e7o de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2688 post type-post status-publish format-standard has-post-thumbnail hentry category-noticias-e-informacoes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<a class=\"elementor-post__thumbnail__link\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/noticias-e-informacoes\/podcast-paisagem-auditiva-do-futebol-museando-99-com-guilherme-trevisan-dos-santos\/\" tabindex=\"-1\" ><div class=\"elementor-post__thumbnail\"><img fetchpriority=\"high\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.memoriadamusica.com.br\/wp-content\/uploads\/2025\/03\/Historiador-pesquisou-a-paisagem-auditiva-do-futebol-paulista-nas-primeiras-decadas-do-seculo-XX-300x300.png\" class=\"attachment-medium size-medium wp-image-2689\" alt=\"\" srcset=\"https:\/\/www.memoriadamusica.com.br\/wp-content\/uploads\/2025\/03\/Historiador-pesquisou-a-paisagem-auditiva-do-futebol-paulista-nas-primeiras-decadas-do-seculo-XX-300x300.png 300w, https:\/\/www.memoriadamusica.com.br\/wp-content\/uploads\/2025\/03\/Historiador-pesquisou-a-paisagem-auditiva-do-futebol-paulista-nas-primeiras-decadas-do-seculo-XX-1024x1024.png 1024w, https:\/\/www.memoriadamusica.com.br\/wp-content\/uploads\/2025\/03\/Historiador-pesquisou-a-paisagem-auditiva-do-futebol-paulista-nas-primeiras-decadas-do-seculo-XX-150x150.png 150w, https:\/\/www.memoriadamusica.com.br\/wp-content\/uploads\/2025\/03\/Historiador-pesquisou-a-paisagem-auditiva-do-futebol-paulista-nas-primeiras-decadas-do-seculo-XX-768x768.png 768w, https:\/\/www.memoriadamusica.com.br\/wp-content\/uploads\/2025\/03\/Historiador-pesquisou-a-paisagem-auditiva-do-futebol-paulista-nas-primeiras-decadas-do-seculo-XX.png 1080w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/a>\n\t\t\t\t<div class=\"elementor-post__badge\">Not\u00edcias e Informa\u00e7\u00f5es<\/div>\n\t\t\t\t<div class=\"elementor-post__avatar\">\n\t\t\t<img alt='Z\u00e9 Geraldo' src='https:\/\/secure.gravatar.com\/avatar\/a90ee8847886cfafe7a15a5deaa494cf256046e5e0ccd62ec4b305b026c49cf0?s=128&#038;d=mm&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/a90ee8847886cfafe7a15a5deaa494cf256046e5e0ccd62ec4b305b026c49cf0?s=256&#038;d=mm&#038;r=g 2x' class='avatar avatar-128 photo' height='128' width='128' \/>\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/noticias-e-informacoes\/podcast-paisagem-auditiva-do-futebol-museando-99-com-guilherme-trevisan-dos-santos\/\" >\n\t\t\t\tPODCAST: Paisagem Auditiva do Futebol. Museando #99 com Guilherme Trevisan dos Santos.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link.<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/noticias-e-informacoes\/podcast-paisagem-auditiva-do-futebol-museando-99-com-guilherme-trevisan-dos-santos\/\" aria-label=\"Read more about PODCAST: Paisagem Auditiva do Futebol. Museando #99 com Guilherme Trevisan dos Santos.\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t21 de mar\u00e7o de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2685 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/quanto-por-uma-maquina-falante-estrategias-cotidianas-para-acessar-o-mundo-magico-dos-sons-gravados-mexico-1903-1910\/\" >\n\t\t\t\t&#8220;Quanto por uma m\u00e1quina falante?&#8221;: estrat\u00e9gias cotidianas para acessar o mundo m\u00e1gico dos sons gravados (M\u00e9xico, 1903-1910).\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link. D\u00cdAZ FRENE, Jaddiel. &#8220;Quanto por uma m\u00e1quina falante?&#8221;: estrat\u00e9gias cotidianas para acessar o mundo m\u00e1gico dos sons gravados (M\u00e9xico,<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/quanto-por-uma-maquina-falante-estrategias-cotidianas-para-acessar-o-mundo-magico-dos-sons-gravados-mexico-1903-1910\/\" aria-label=\"Read more about &#8220;Quanto por uma m\u00e1quina falante?&#8221;: estrat\u00e9gias cotidianas para acessar o mundo m\u00e1gico dos sons gravados (M\u00e9xico, 1903-1910).\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t20 de mar\u00e7o de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2598 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/os-violinistas-de-cabo-verde-e-seu-papel-na-conversao-de-musicas-europeias-do-seculo-xix-em-tradicao-local-por-glaucia-nogueira-musica-popular-em-revista-campinas-sp-2020\/\" >\n\t\t\t\tOs violinistas de Cabo Verde e seu papel na convers\u00e3o de m\u00fasicas europeias do s\u00e9culo XIX em tradi\u00e7\u00e3o local. Por Gl\u00e1ucia Nogueira. M\u00fasica Popular em Revista. Campinas, SP. 2020.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link NOGUEIRA, Gl\u00e1ucia. Os violinistas de Cabo Verde e seu papel na convers\u00e3o de m\u00fasicas europeias do s\u00e9culo XIX em<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/os-violinistas-de-cabo-verde-e-seu-papel-na-conversao-de-musicas-europeias-do-seculo-xix-em-tradicao-local-por-glaucia-nogueira-musica-popular-em-revista-campinas-sp-2020\/\" aria-label=\"Read more about Os violinistas de Cabo Verde e seu papel na convers\u00e3o de m\u00fasicas europeias do s\u00e9culo XIX em tradi\u00e7\u00e3o local. Por Gl\u00e1ucia Nogueira. M\u00fasica Popular em Revista. Campinas, SP. 2020.\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t7 de mar\u00e7o de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2595 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/um-qualquer-espectador-notas-sobre-um-escandalo-teatral-luiz-paulo-pimentel-de-souza-revista-sala-preta-2017\/\" >\n\t\t\t\tUm qualquer espectador: notas sobre um esc\u00e2ndalo teatral. Luiz Paulo Pimentel de Souza. Revista Sala Preta. 2017.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link SOUZA, Luiz Paulo Pimentel de. Um qualquer espectador: notas sobre um esc\u00e2ndalo teatral. Revista Sala Preta. 2017.<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/um-qualquer-espectador-notas-sobre-um-escandalo-teatral-luiz-paulo-pimentel-de-souza-revista-sala-preta-2017\/\" aria-label=\"Read more about Um qualquer espectador: notas sobre um esc\u00e2ndalo teatral. Luiz Paulo Pimentel de Souza. Revista Sala Preta. 2017.\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t25 de fevereiro de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2593 post type-post status-publish format-standard hentry category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/da-pateada-ecos-de-uma-pratica-extinta-mas-ruidosa-luiz-paulo-pimentel-de-souza-revista-brasileira-de-estudos-da-presenca-2024\/\" >\n\t\t\t\tDa Pateada; ecos de uma pr\u00e1tica extinta, mas ruidosa. Luiz Paulo Pimentel de Souza. Revista Brasileira de Estudos da Presen\u00e7a. 2024.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link SOUZA, Luiz Paulo Pimentel de. Da Pateada; ecos de uma pr\u00e1tica extinta, mas ruidosa. Revista Brasileira de Estudos da<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/da-pateada-ecos-de-uma-pratica-extinta-mas-ruidosa-luiz-paulo-pimentel-de-souza-revista-brasileira-de-estudos-da-presenca-2024\/\" aria-label=\"Read more about Da Pateada; ecos de uma pr\u00e1tica extinta, mas ruidosa. Luiz Paulo Pimentel de Souza. Revista Brasileira de Estudos da Presen\u00e7a. 2024.\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t25 de fevereiro de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2230 post type-post status-publish format-standard hentry category-recentes\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/aperfeicoando-o-imperfeito-a-paisagem-auditiva-do-futebol-em-sao-paulo-no-inicio-do-seculo-xx-guilherme-trevisan-dos-santos-dissertacao-de-mestrado-ppghs-fflch-usp-2024\/\" >\n\t\t\t\tAperfei\u00e7oando o imperfeito: a paisagem auditiva do futebol em S\u00e3o Paulo no in\u00edcio do s\u00e9culo XX. Guilherme Trevisan dos Santos. Disserta\u00e7\u00e3o de mestrado. PPGHS-FFLCH-USP. 2024\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link SANTOS, Guilherme Trevisan dos. Aperfei\u00e7oando o imperfeito: a paisagem auditiva do futebol em S\u00e3o Paulo no in\u00edcio do s\u00e9culo<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/aperfeicoando-o-imperfeito-a-paisagem-auditiva-do-futebol-em-sao-paulo-no-inicio-do-seculo-xx-guilherme-trevisan-dos-santos-dissertacao-de-mestrado-ppghs-fflch-usp-2024\/\" aria-label=\"Read more about Aperfei\u00e7oando o imperfeito: a paisagem auditiva do futebol em S\u00e3o Paulo no in\u00edcio do s\u00e9culo XX. Guilherme Trevisan dos Santos. Disserta\u00e7\u00e3o de mestrado. PPGHS-FFLCH-USP. 2024\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t25 de abril de 2024\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2313 post type-post status-publish format-standard hentry category-recentes\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/cantigas-das-criancas-e-do-povo-e-dancas-populares-coligidas-e-selecionadas-do-folclore-por-alexina-de-magalhaes-pinto-brasilia-senado-federal-2023\/\" >\n\t\t\t\tCantigas das crian\u00e7as e do povo e dan\u00e7as populares. Coligidas e selecionadas do folclore por Alexina de Magalh\u00e3es Pinto. Bras\u00edlia. Senado Federal. 2023\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link.<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/cantigas-das-criancas-e-do-povo-e-dancas-populares-coligidas-e-selecionadas-do-folclore-por-alexina-de-magalhaes-pinto-brasilia-senado-federal-2023\/\" aria-label=\"Read more about Cantigas das crian\u00e7as e do povo e dan\u00e7as populares. Coligidas e selecionadas do folclore por Alexina de Magalh\u00e3es Pinto. Bras\u00edlia. Senado Federal. 2023\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t2 de maio de 2023\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2266 post type-post status-publish format-standard hentry category-livros\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/livros\/historia-da-musica-no-brasil-virginia-bessa-e-juliana-perez-gonzalez-ed-vitoria-es-anppom-2023\/\" >\n\t\t\t\tHist\u00f3ria da M\u00fasica no Brasil. Virginia Bessa e Juliana Perez Gonzal\u00e9z\u00a0(ed). Vit\u00f3ria-ES. ANPPOM. 2023.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/livros\/historia-da-musica-no-brasil-virginia-bessa-e-juliana-perez-gonzalez-ed-vitoria-es-anppom-2023\/\" aria-label=\"Read more about Hist\u00f3ria da M\u00fasica no Brasil. Virginia Bessa e Juliana Perez Gonzal\u00e9z\u00a0(ed). Vit\u00f3ria-ES. ANPPOM. 2023.\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t25 de abril de 2023\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2228 post type-post status-publish format-standard hentry category-teses\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/teses\/nois-cantemos-assim-musica-radio-e-samba-em-sao-paulo-na-primeira-metade-do-seculo-xx-andre-augusto-de-oliveira-santos-tese-de-doutorado-ppghs-fflch-usp-2023\/\" >\n\t\t\t\t\u201cN\u00f3is cantemos assim\u201d. M\u00fasica, r\u00e1dio e samba em S\u00e3o Paulo na primeira metade do s\u00e9culo XX. Andr\u00e9 Augusto de Oliveira Santos. Tese de Doutorado PPGHS-FFLCH-USP. 2023\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/teses\/nois-cantemos-assim-musica-radio-e-samba-em-sao-paulo-na-primeira-metade-do-seculo-xx-andre-augusto-de-oliveira-santos-tese-de-doutorado-ppghs-fflch-usp-2023\/\" aria-label=\"Read more about \u201cN\u00f3is cantemos assim\u201d. M\u00fasica, r\u00e1dio e samba em S\u00e3o Paulo na primeira metade do s\u00e9culo XX. Andr\u00e9 Augusto de Oliveira Santos. Tese de Doutorado PPGHS-FFLCH-USP. 2023\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t25 de abril de 2023\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2150 post type-post status-publish format-standard hentry category-recentes\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/violao-em-sao-paulo-informacoes-sobre-o-instrumento-no-periodo-imperial-flavia-prando-orfeu-florianopolis-v-8-n-2-p-2-21-jun-2023\/\" >\n\t\t\t\tViol\u00e3o em S\u00e3o Paulo: informa\u00e7\u00f5es sobre o instrumento no per\u00edodo imperial. Fl\u00e1via Prando. ORFEU, Florian\u00f3polis, v. 8, n. 2, p.2 &#8211; 21, jun. 2023\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/violao-em-sao-paulo-informacoes-sobre-o-instrumento-no-periodo-imperial-flavia-prando-orfeu-florianopolis-v-8-n-2-p-2-21-jun-2023\/\" aria-label=\"Read more about Viol\u00e3o em S\u00e3o Paulo: informa\u00e7\u00f5es sobre o instrumento no per\u00edodo imperial. Fl\u00e1via Prando. ORFEU, Florian\u00f3polis, v. 8, n. 2, p.2 &#8211; 21, jun. 2023\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t22 de abril de 2023\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1593 post type-post status-publish format-standard hentry category-recentes\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/metropole-em-sinfonia-historia-cultura-e-musica-popular-na-sao-paulo-dos-anos-30\/\" >\n\t\t\t\tMetr\u00f3pole em Sinfonia. Hist\u00f3ria, cultura e m\u00fasica popular na S\u00e3o Paulo dos anos 30. Jos\u00e9 Geraldo Vinci de Moraes. SP: 2\u00aa ed.; Editora Intermeios. 2023\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Roteiro Sonoro Metr\u00f3pole em Sinfonia Cap\u00edtulo 1 1. Agita\u00e7\u00e3o pol\u00edtica em S\u00e3o Paulo. Corn\u00e9lio Pires. Int\u00e9rprete: Corn\u00e9lio Pires Columbia. Matriz<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/metropole-em-sinfonia-historia-cultura-e-musica-popular-na-sao-paulo-dos-anos-30\/\" aria-label=\"Read more about Metr\u00f3pole em Sinfonia. Hist\u00f3ria, cultura e m\u00fasica popular na S\u00e3o Paulo dos anos 30. Jos\u00e9 Geraldo Vinci de Moraes. SP: 2\u00aa ed.; Editora Intermeios. 2023\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t30 de mar\u00e7o de 2023\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-519 post type-post status-publish format-standard hentry category-recentes\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/dossie-historia-e-cultura-sonoras-revista-historia-sao-paulo-n-182-2023\/\" >\n\t\t\t\tDossi\u00ea Hist\u00f3ria e Cultura Sonoras. Revista Hist\u00f3ria. (S\u00e3o Paulo), n.182, 2023\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Roteiro Sonoro\u00a0 1) Hist\u00f3ria e cultura sonora: a historiciza\u00e7\u00e3o das escutas e dos sons. Virg\u00ednia de Almeida Bessa. Juliana P\u00e9rez<\/p>\n\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/dossie-historia-e-cultura-sonoras-revista-historia-sao-paulo-n-182-2023\/\" aria-label=\"Read more about Dossi\u00ea Hist\u00f3ria e Cultura Sonoras. Revista Hist\u00f3ria. (S\u00e3o Paulo), n.182, 2023\" tabindex=\"-1\" >\n\t\t\tLeia Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t29 de mar\u00e7o de 2023\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t<span class=\"e-load-more-spinner\">\n\t\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-spinner\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M304 48c0 26.51-21.49 48-48 48s-48-21.49-48-48 21.49-48 48-48 48 21.49 48 48zm-48 368c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 48-48-21.49-48-48-48zm208-208c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 48-48-21.49-48-48-48zM96 256c0-26.51-21.49-48-48-48S0 229.49 0 256s21.49 48 48 48 48-21.49 48-48zm12.922 99.078c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 48-48c0-26.509-21.491-48-48-48zm294.156 0c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 48-48c0-26.509-21.49-48-48-48zM108.922 60.922c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 48-48-21.491-48-48-48z\"><\/path><\/svg>\t\t\t<\/span>\n\t\t\n\t\t\t\t<div class=\"e-load-more-anchor\" data-page=\"1\" data-max-page=\"5\" data-next-page=\"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/pages\/14\/page\/2\/\"><\/div>\n\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a class=\"elementor-button elementor-size-sm\" role=\"button\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Carregar Mais<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<div class=\"e-load-more-message\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Textos e \u00c1udios<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-14","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/pages\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":9,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":3096,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/pages\/14\/revisions\/3096"}],"wp:attachment":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}