{"id":22,"date":"2024-02-14T10:44:50","date_gmt":"2024-02-14T13:44:50","guid":{"rendered":"https:\/\/webprisma.com.br\/memoriadamusica\/?page_id=22"},"modified":"2025-10-06T23:31:26","modified_gmt":"2025-10-07T02:31:26","slug":"recentes","status":"publish","type":"page","link":"https:\/\/www.memoriadamusica.com.br\/index.php\/recentes\/","title":{"rendered":"Recentes"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"22\" class=\"elementor elementor-22\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7c5dbaad e-flex e-con-boxed e-con e-parent\" data-id=\"7c5dbaad\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3aa17617 elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"3aa17617\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInDown&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Textos e \u00c1udios<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-23333bff elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"23333bff\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;motion_fx_motion_fx_scrolling&quot;:&quot;yes&quot;,&quot;motion_fx_range&quot;:&quot;page&quot;,&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;motion_fx_devices&quot;:[&quot;desktop&quot;,&quot;tablet&quot;,&quot;mobile&quot;]}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Recentes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d22443c e-flex e-con-boxed e-con e-parent\" data-id=\"d22443c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-bea5a0e elementor-widget elementor-widget-spacer\" data-id=\"bea5a0e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2354f92 e-flex e-con-boxed e-con e-parent\" data-id=\"2354f92\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f74449b elementor-posts--thumbnail-none elementor-posts--align-center elementor-grid-3 elementor-grid-tablet-2 elementor-grid-mobile-1 elementor-card-shadow-yes elementor-posts__hover-gradient load-more-align-center elementor-widget elementor-widget-posts\" data-id=\"f74449b\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;pagination_type&quot;:&quot;load_more_on_click&quot;,&quot;cards_columns&quot;:&quot;3&quot;,&quot;cards_columns_tablet&quot;:&quot;2&quot;,&quot;cards_columns_mobile&quot;:&quot;1&quot;,&quot;cards_row_gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:35,&quot;sizes&quot;:[]},&quot;cards_row_gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;cards_row_gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;load_more_spinner&quot;:{&quot;value&quot;:&quot;fas fa-spinner&quot;,&quot;library&quot;:&quot;fa-solid&quot;}}\" data-widget_type=\"posts.cards\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-posts-container elementor-posts elementor-posts--skin-cards elementor-grid\" role=\"list\">\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-3523 post type-post status-publish format-standard hentry category-recentes category-sem-categoria\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/sem-categoria\/uma-historia-subterranea-do-som-brasileiro-1911-2011\/\" >\n\t\t\t\tUma hist\u00f3ria subterr\u00e2nea do som brasileiro (1911-2011)\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>https:\/\/www.historiassubterraneas.com O pesquisador do LHCS Bruno Tavares M. Macedo, acabou de defender seu doutorado no Programa de P\u00f3s-Gradua\u00e7\u00e3o em Hist\u00f3ria<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t17 de mar\u00e7o de 2026\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-3511 post type-post status-publish format-standard hentry category-recentes category-sem-categoria\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/sem-categoria\/atuacao-de-presciliano-jose-da-silva-1847-1897-na-cidade-de-sao-paulo-e-obras-remanescentes-na-colecao-museografica-do-conservatorio-dramatico-e-musical-de-sao-paulo\/\" >\n\t\t\t\tAtua\u00e7\u00e3o de Presciliano Jos\u00e9 Da Silva (1847-1897) na Cidade de  S\u00e3o Paulo e obras remanescentes na  cole\u00e7\u00e3o museogr\u00e1fica  do conserv\u00e1torio dr\u00e1matico e musical de S\u00e3o Paulo\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t6 de mar\u00e7o de 2026\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-3499 post type-post status-publish format-standard hentry category-recentes\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/tecnologia-cultura-sonora-ynacionalismo-las-primerasexhibiciones-del-fonografo-en-laciudad-de-mexico-1878\/\" >\n\t\t\t\tTecnolog\u00eda, cultura sonora ynacionalismo. Las primerasexhibiciones del fon\u00f3grafo en laCiudad de M\u00e9xico (1878)\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t27 de fevereiro de 2026\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-3312 post type-post status-publish format-standard hentry category-recentes category-teses category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/1974-e-o-rock-progressivo-paulistano-dissertacao-de-mestrado\/\" >\n\t\t\t\t1974 e o rock progressivo paulistano. Matheus Lacorte Naman Angelo de Castro. Tese de Mestrado PPGHS-FFLCH-USP. 2025\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t20 de outubro de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2962 post type-post status-publish format-standard hentry category-artigos category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/elementor-2962\/\" >\n\t\t\t\tBarulhos modernos, ru\u00eddos coloniais: Biancamaria Binazzi. a sonora S\u00e3o Paulo entre os s\u00e9culos XIX e XX. Uberl\u00e2ndia, v. 26, n. 48, p. 300-305, jan.-jun. 2024.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link. BINAZZI, Biancamaria. Barulhos modernos, ru\u00eddos coloniais: a sonora S\u00e3o Paulo entre os s\u00e9culos XIX e XX. Uberl\u00e2ndia, v. 26,<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t2 de outubro de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2938 post type-post status-publish format-standard hentry category-artigos category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/da-liberdade-como-beneficio-e-encenada-como-magica-uma-critica-a-tecnologia-emancipatoria-posta-em-cena-pelo-movimento-abolicionista-nos-teatros-1880-1888-luiz-paulo-pimentel-de-souza-revista-sal\/\" >\n\t\t\t\tDa liberdade como benef\u00edcio e encenada como m\u00e1gica: uma cr\u00edtica \u00e0 tecnologia emancipat\u00f3ria posta em cena pelo movimento abolicionista nos teatros (1880-1888). Luiz Paulo Pimentel de Souza. Revista Sala Preta, Vol. 24, n. 2. S\u00e3o Paulo, 2025.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link SOUZA, Luiz Paulo Pimentel de. Da liberdade como benef\u00edcio e encenada como m\u00e1gica: uma cr\u00edtica \u00e0 tecnologia emancipat\u00f3ria posta<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t6 de setembro de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2905 post type-post status-publish format-standard hentry category-artigos category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/o-violao-e-a-ordem-publica-censura-e-controle-socialsao-paulo-1890-1932-flavia-prando-revista-per-musi-26-belo-horizonte-2025\/\" >\n\t\t\t\tO Viol\u00e3o e a ordem p\u00fablica: censura e controle social (S\u00e3o Paulo 1890-1932). Flavia Prando. Revista Per Musi, 26. Belo Horizonte, 2025.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link PRANDO, Flavia. O Viol\u00e3o e a ordem p\u00fablico: censura e controle social (S\u00e3o Paulo 1890-1932). Revista Per Musi v.26,<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t16 de maio de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2897 post type-post status-publish format-standard hentry category-artigos category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/tracos-de-uma-nova-cultura-sonora-na-cidade-de-sao-paulo-inicio-do\/\" >\n\t\t\t\tTra\u00e7os de uma nova cultura sonora na cidade de S\u00e3o Paulo (in\u00edcio do s\u00e9culo XX). Jos\u00e9 Geraldo Vinci de Moraes. Revista Mosaico 17, 2024.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link. RAMOS, Nath\u00e1lia Francisca Fernandes. MORAES, Jos\u00e9 Geraldo Vinci de. Tra\u00e7os de uma nova cultura sonora na cidade de S\u00e3o<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t15 de maio de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2847 post type-post status-publish format-standard hentry category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/fonografia-a-nordeste-uma-historia-da-fabrica-de-discos\/\" >\n\t\t\t\tFonografia \u00e0 Nordeste: uma hist\u00f3ria da F\u00e1brica de Discos Discos Rozenblit (1954-1984). Henrique Masera Lopes. USP. S\u00e3o Paulo, 2025.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link. LOPES, Henrique Masera. Fonografia \u00e0 Nordeste: uma hist\u00f3ria da F\u00e1brica de Discos Rozenblit (1954-1984). Tese (Doutorado) &#8211; Faculdade de<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t14 de abril de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2593 post type-post status-publish format-standard hentry category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/da-pateada-ecos-de-uma-pratica-extinta-mas-ruidosa-luiz-paulo-pimentel-de-souza-revista-brasileira-de-estudos-da-presenca-2024\/\" >\n\t\t\t\tDa Pateada; ecos de uma pr\u00e1tica extinta, mas ruidosa. Luiz Paulo Pimentel de Souza. Revista Brasileira de Estudos da Presen\u00e7a. 2024.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link SOUZA, Luiz Paulo Pimentel de. Da Pateada; ecos de uma pr\u00e1tica extinta, mas ruidosa. Revista Brasileira de Estudos da<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t25 de fevereiro de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2230 post type-post status-publish format-standard hentry category-recentes\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/aperfeicoando-o-imperfeito-a-paisagem-auditiva-do-futebol-em-sao-paulo-no-inicio-do-seculo-xx-guilherme-trevisan-dos-santos-dissertacao-de-mestrado-ppghs-fflch-usp-2024\/\" >\n\t\t\t\tAperfei\u00e7oando o imperfeito: a paisagem auditiva do futebol em S\u00e3o Paulo no in\u00edcio do s\u00e9culo XX. Guilherme Trevisan dos Santos. Disserta\u00e7\u00e3o de mestrado. PPGHS-FFLCH-USP. 2024\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link SANTOS, Guilherme Trevisan dos. Aperfei\u00e7oando o imperfeito: a paisagem auditiva do futebol em S\u00e3o Paulo no in\u00edcio do s\u00e9culo<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t25 de abril de 2024\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2313 post type-post status-publish format-standard hentry category-recentes\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/cantigas-das-criancas-e-do-povo-e-dancas-populares-coligidas-e-selecionadas-do-folclore-por-alexina-de-magalhaes-pinto-brasilia-senado-federal-2023\/\" >\n\t\t\t\tCantigas das crian\u00e7as e do povo e dan\u00e7as populares. Coligidas e selecionadas do folclore por Alexina de Magalh\u00e3es Pinto. Bras\u00edlia. Senado Federal. 2023\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link.<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t2 de maio de 2023\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2150 post type-post status-publish format-standard hentry category-recentes\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/violao-em-sao-paulo-informacoes-sobre-o-instrumento-no-periodo-imperial-flavia-prando-orfeu-florianopolis-v-8-n-2-p-2-21-jun-2023\/\" >\n\t\t\t\tViol\u00e3o em S\u00e3o Paulo: informa\u00e7\u00f5es sobre o instrumento no per\u00edodo imperial. Fl\u00e1via Prando. ORFEU, Florian\u00f3polis, v. 8, n. 2, p.2 &#8211; 21, jun. 2023\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Link<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t22 de abril de 2023\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1593 post type-post status-publish format-standard hentry category-recentes\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/metropole-em-sinfonia-historia-cultura-e-musica-popular-na-sao-paulo-dos-anos-30\/\" >\n\t\t\t\tMetr\u00f3pole em Sinfonia. Hist\u00f3ria, cultura e m\u00fasica popular na S\u00e3o Paulo dos anos 30. Jos\u00e9 Geraldo Vinci de Moraes. SP: 2\u00aa ed.; Editora Intermeios. 2023\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Roteiro Sonoro Metr\u00f3pole em Sinfonia Cap\u00edtulo 1 1. Agita\u00e7\u00e3o pol\u00edtica em S\u00e3o Paulo. Corn\u00e9lio Pires. Int\u00e9rprete: Corn\u00e9lio Pires Columbia. Matriz<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t30 de mar\u00e7o de 2023\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-519 post type-post status-publish format-standard hentry category-recentes\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/dossie-historia-e-cultura-sonoras-revista-historia-sao-paulo-n-182-2023\/\" >\n\t\t\t\tDossi\u00ea Hist\u00f3ria e Cultura Sonoras. Revista Hist\u00f3ria. (S\u00e3o Paulo), n.182, 2023\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Roteiro Sonoro\u00a0 1) Hist\u00f3ria e cultura sonora: a historiciza\u00e7\u00e3o das escutas e dos sons. Virg\u00ednia de Almeida Bessa. Juliana P\u00e9rez<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t29 de mar\u00e7o de 2023\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t<span class=\"e-load-more-spinner\">\n\t\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-spinner\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M304 48c0 26.51-21.49 48-48 48s-48-21.49-48-48 21.49-48 48-48 48 21.49 48 48zm-48 368c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 48-48-21.49-48-48-48zm208-208c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 48-48-21.49-48-48-48zM96 256c0-26.51-21.49-48-48-48S0 229.49 0 256s21.49 48 48 48 48-21.49 48-48zm12.922 99.078c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 48-48c0-26.509-21.491-48-48-48zm294.156 0c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 48-48c0-26.509-21.49-48-48-48zM108.922 60.922c-26.51 0-48 21.49-48 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