{"id":26,"date":"2024-02-14T10:45:31","date_gmt":"2024-02-14T13:45:31","guid":{"rendered":"https:\/\/webprisma.com.br\/memoriadamusica\/?page_id=26"},"modified":"2025-10-06T23:39:06","modified_gmt":"2025-10-07T02:39:06","slug":"artigos","status":"publish","type":"page","link":"https:\/\/www.memoriadamusica.com.br\/index.php\/artigos\/","title":{"rendered":"Artigos"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"26\" class=\"elementor elementor-26\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-370a0ea5 e-con-full e-flex e-con e-parent\" data-id=\"370a0ea5\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-50b1cae8 elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"50b1cae8\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInDown&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Textos e \u00c1udios<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6445a105 elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"6445a105\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;motion_fx_motion_fx_scrolling&quot;:&quot;yes&quot;,&quot;motion_fx_range&quot;:&quot;page&quot;,&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;motion_fx_devices&quot;:[&quot;desktop&quot;,&quot;tablet&quot;,&quot;mobile&quot;]}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Artigos<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-f9a0acd e-flex e-con-boxed e-con e-parent\" data-id=\"f9a0acd\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cfe9339 elementor-widget elementor-widget-spacer\" data-id=\"cfe9339\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-8338e49 e-flex e-con-boxed e-con e-parent\" data-id=\"8338e49\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8af2d03 elementor-posts--thumbnail-none elementor-posts--align-center elementor-grid-3 elementor-grid-tablet-2 elementor-grid-mobile-1 elementor-card-shadow-yes elementor-posts__hover-gradient load-more-align-center elementor-widget elementor-widget-posts\" data-id=\"8af2d03\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;pagination_type&quot;:&quot;load_more_on_click&quot;,&quot;cards_columns&quot;:&quot;3&quot;,&quot;cards_columns_tablet&quot;:&quot;2&quot;,&quot;cards_columns_mobile&quot;:&quot;1&quot;,&quot;cards_row_gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:35,&quot;sizes&quot;:[]},&quot;cards_row_gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;cards_row_gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;load_more_spinner&quot;:{&quot;value&quot;:&quot;fas fa-spinner&quot;,&quot;library&quot;:&quot;fa-solid&quot;}}\" data-widget_type=\"posts.cards\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-posts-container elementor-posts elementor-posts--skin-cards elementor-grid\" role=\"list\">\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-3545 post type-post status-publish format-standard hentry category-artigos category-sem-categoria\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/sem-categoria\/folcloristas-e-cultura-popular-desigualdades-e-subjetividades-na-construcao-da-identidade-nacional-brasileira-na-belle-epoque\/\" >\n\t\t\t\tFolcloristas e cultura popular: desigualdades e subjetividades na constru\u00e7\u00e3o da identidade nacional brasileira na Belle \u00c9poque\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/sem-categoria\/folcloristas-e-cultura-popular-desigualdades-e-subjetividades-na-construcao-da-identidade-nacional-brasileira-na-belle-epoque\/\" aria-label=\"Read more about Folcloristas e cultura popular: desigualdades e subjetividades na constru\u00e7\u00e3o da identidade nacional brasileira na Belle \u00c9poque\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t28 de mar\u00e7o de 2026\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2962 post type-post status-publish format-standard hentry category-artigos category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/elementor-2962\/\" >\n\t\t\t\tBarulhos modernos, ru\u00eddos coloniais: Biancamaria Binazzi. a sonora S\u00e3o Paulo entre os s\u00e9culos XIX e XX. Uberl\u00e2ndia, v. 26, n. 48, p. 300-305, jan.-jun. 2024.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/elementor-2962\/\" aria-label=\"Read more about Barulhos modernos, ru\u00eddos coloniais: Biancamaria Binazzi. a sonora S\u00e3o Paulo entre os s\u00e9culos XIX e XX. Uberl\u00e2ndia, v. 26, n. 48, p. 300-305, jan.-jun. 2024.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t2 de outubro de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2938 post type-post status-publish format-standard hentry category-artigos category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/da-liberdade-como-beneficio-e-encenada-como-magica-uma-critica-a-tecnologia-emancipatoria-posta-em-cena-pelo-movimento-abolicionista-nos-teatros-1880-1888-luiz-paulo-pimentel-de-souza-revista-sal\/\" >\n\t\t\t\tDa liberdade como benef\u00edcio e encenada como m\u00e1gica: uma cr\u00edtica \u00e0 tecnologia emancipat\u00f3ria posta em cena pelo movimento abolicionista nos teatros (1880-1888). Luiz Paulo Pimentel de Souza. Revista Sala Preta, Vol. 24, n. 2. S\u00e3o Paulo, 2025.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/da-liberdade-como-beneficio-e-encenada-como-magica-uma-critica-a-tecnologia-emancipatoria-posta-em-cena-pelo-movimento-abolicionista-nos-teatros-1880-1888-luiz-paulo-pimentel-de-souza-revista-sal\/\" aria-label=\"Read more about Da liberdade como benef\u00edcio e encenada como m\u00e1gica: uma cr\u00edtica \u00e0 tecnologia emancipat\u00f3ria posta em cena pelo movimento abolicionista nos teatros (1880-1888). Luiz Paulo Pimentel de Souza. Revista Sala Preta, Vol. 24, n. 2. S\u00e3o Paulo, 2025.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t6 de setembro de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2905 post type-post status-publish format-standard hentry category-artigos category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/o-violao-e-a-ordem-publica-censura-e-controle-socialsao-paulo-1890-1932-flavia-prando-revista-per-musi-26-belo-horizonte-2025\/\" >\n\t\t\t\tO Viol\u00e3o e a ordem p\u00fablica: censura e controle social (S\u00e3o Paulo 1890-1932). Flavia Prando. Revista Per Musi, 26. Belo Horizonte, 2025.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/o-violao-e-a-ordem-publica-censura-e-controle-socialsao-paulo-1890-1932-flavia-prando-revista-per-musi-26-belo-horizonte-2025\/\" aria-label=\"Read more about O Viol\u00e3o e a ordem p\u00fablica: censura e controle social (S\u00e3o Paulo 1890-1932). Flavia Prando. Revista Per Musi, 26. Belo Horizonte, 2025.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t16 de maio de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2897 post type-post status-publish format-standard hentry category-artigos category-recentes category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/tracos-de-uma-nova-cultura-sonora-na-cidade-de-sao-paulo-inicio-do\/\" >\n\t\t\t\tTra\u00e7os de uma nova cultura sonora na cidade de S\u00e3o Paulo (in\u00edcio do s\u00e9culo XX). Jos\u00e9 Geraldo Vinci de Moraes. Revista Mosaico 17, 2024.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/tracos-de-uma-nova-cultura-sonora-na-cidade-de-sao-paulo-inicio-do\/\" aria-label=\"Read more about Tra\u00e7os de uma nova cultura sonora na cidade de S\u00e3o Paulo (in\u00edcio do s\u00e9culo XX). Jos\u00e9 Geraldo Vinci de Moraes. Revista Mosaico 17, 2024.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t15 de maio de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2829 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/tracos-da-critica-de-musica-popular-em-sao-paulo-1930-1960\/\" >\n\t\t\t\tTra\u00e7os da cr\u00edtica de m\u00fasica popular em S\u00e3o Paulo (1930\u20131960). Jos\u00e9 Geraldo Vinci de Moraes. Opus, 31. Vit\u00f3ria, 2025.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/tracos-da-critica-de-musica-popular-em-sao-paulo-1930-1960\/\" aria-label=\"Read more about Tra\u00e7os da cr\u00edtica de m\u00fasica popular em S\u00e3o Paulo (1930\u20131960). Jos\u00e9 Geraldo Vinci de Moraes. Opus, 31. Vit\u00f3ria, 2025.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t6 de abril de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2711 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/a-diplomacia-dos-sons-porfirio-diaz-thomas-edison-e-o-fonografo-melhorado-mexico-estados-unidos-1888-1890-jaddiel-diaz-frene-anuario-de-estudios-americanos-79-1-sevilla-2022\/\" >\n\t\t\t\tA diplomacia dos sons. Porfirio D\u00edaz, Thomas Edison e o fon\u00f3grafo melhorado (M\u00e9xico-Estados Unidos, 1888-1890). Jaddiel D\u00edaz Frene. Anuario de Estudios Americanos, 79, 1, Sevilla, 2022.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/a-diplomacia-dos-sons-porfirio-diaz-thomas-edison-e-o-fonografo-melhorado-mexico-estados-unidos-1888-1890-jaddiel-diaz-frene-anuario-de-estudios-americanos-79-1-sevilla-2022\/\" aria-label=\"Read more about A diplomacia dos sons. Porfirio D\u00edaz, Thomas Edison e o fon\u00f3grafo melhorado (M\u00e9xico-Estados Unidos, 1888-1890). Jaddiel D\u00edaz Frene. Anuario de Estudios Americanos, 79, 1, Sevilla, 2022.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t27 de mar\u00e7o de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2685 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/quanto-por-uma-maquina-falante-estrategias-cotidianas-para-acessar-o-mundo-magico-dos-sons-gravados-mexico-1903-1910\/\" >\n\t\t\t\t&#8220;Quanto por uma m\u00e1quina falante?&#8221;: estrat\u00e9gias cotidianas para acessar o mundo m\u00e1gico dos sons gravados (M\u00e9xico, 1903-1910).\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/quanto-por-uma-maquina-falante-estrategias-cotidianas-para-acessar-o-mundo-magico-dos-sons-gravados-mexico-1903-1910\/\" aria-label=\"Read more about &#8220;Quanto por uma m\u00e1quina falante?&#8221;: estrat\u00e9gias cotidianas para acessar o mundo m\u00e1gico dos sons gravados (M\u00e9xico, 1903-1910).\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t20 de mar\u00e7o de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2598 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/os-violinistas-de-cabo-verde-e-seu-papel-na-conversao-de-musicas-europeias-do-seculo-xix-em-tradicao-local-por-glaucia-nogueira-musica-popular-em-revista-campinas-sp-2020\/\" >\n\t\t\t\tOs violinistas de Cabo Verde e seu papel na convers\u00e3o de m\u00fasicas europeias do s\u00e9culo XIX em tradi\u00e7\u00e3o local. Por Gl\u00e1ucia Nogueira. M\u00fasica Popular em Revista. Campinas, SP. 2020.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/os-violinistas-de-cabo-verde-e-seu-papel-na-conversao-de-musicas-europeias-do-seculo-xix-em-tradicao-local-por-glaucia-nogueira-musica-popular-em-revista-campinas-sp-2020\/\" aria-label=\"Read more about Os violinistas de Cabo Verde e seu papel na convers\u00e3o de m\u00fasicas europeias do s\u00e9culo XIX em tradi\u00e7\u00e3o local. Por Gl\u00e1ucia Nogueira. M\u00fasica Popular em Revista. Campinas, SP. 2020.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t7 de mar\u00e7o de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2595 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/um-qualquer-espectador-notas-sobre-um-escandalo-teatral-luiz-paulo-pimentel-de-souza-revista-sala-preta-2017\/\" >\n\t\t\t\tUm qualquer espectador: notas sobre um esc\u00e2ndalo teatral. Luiz Paulo Pimentel de Souza. Revista Sala Preta. 2017.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/um-qualquer-espectador-notas-sobre-um-escandalo-teatral-luiz-paulo-pimentel-de-souza-revista-sala-preta-2017\/\" aria-label=\"Read more about Um qualquer espectador: notas sobre um esc\u00e2ndalo teatral. Luiz Paulo Pimentel de Souza. Revista Sala Preta. 2017.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t25 de fevereiro de 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2199 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/o-mundo-recriado-por-vinci-de-moraes-marilia-do-espirito-santo-carvalho-revistaopus-v-28-p-1-10-2022\/\" >\n\t\t\t\tO mundo (re)criado por Vinci de Moraes. Mar\u00edlia do Esp\u00edrito Santo Carvalho. RevistaOpus, v. 28, p. 1- 10, 2022\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/o-mundo-recriado-por-vinci-de-moraes-marilia-do-espirito-santo-carvalho-revistaopus-v-28-p-1-10-2022\/\" aria-label=\"Read more about O mundo (re)criado por Vinci de Moraes. Mar\u00edlia do Esp\u00edrito Santo Carvalho. RevistaOpus, v. 28, p. 1- 10, 2022\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t24 de abril de 2022\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2197 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/dilemas-entre-biografia-e-musica-jose-geraldo-vinci-de-moraes-revista-afro-asia-n-66-2022-pp-655-662\/\" >\n\t\t\t\tDilemas entre biografia e m\u00fasica. Jos\u00e9 Geraldo Vinci de Moraes. Revista Afro-\u00c1sia, n. 66 (2022), pp. 655-662.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/dilemas-entre-biografia-e-musica-jose-geraldo-vinci-de-moraes-revista-afro-asia-n-66-2022-pp-655-662\/\" aria-label=\"Read more about Dilemas entre biografia e m\u00fasica. Jos\u00e9 Geraldo Vinci de Moraes. Revista Afro-\u00c1sia, n. 66 (2022), pp. 655-662.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t24 de abril de 2022\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2154 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/spanish-guitarists-in-nineteenth-century-flavia-prando-soundboard-scholar-eua-2022\/\" >\n\t\t\t\tSpanish Guitarists in Nineteenth-Century. Fl\u00e1via Prando. Soundboard Scholar. EUA. 2022.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/spanish-guitarists-in-nineteenth-century-flavia-prando-soundboard-scholar-eua-2022\/\" aria-label=\"Read more about Spanish Guitarists in Nineteenth-Century. Fl\u00e1via Prando. Soundboard Scholar. EUA. 2022.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t22 de abril de 2022\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2152 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/musica-de-salao-e-modernismo-o-violao-em-sao-paulo-nos-idos-de-1920-flavia-prando-e-flavia-toni-anppom-out-2022\/\" >\n\t\t\t\tM\u00fasica de sal\u00e3o e modernismo: o viol\u00e3o em S\u00e3o Paulo nos idos de 1920. Fl\u00e1via Prando e Fl\u00e1via Toni. ANPPOM, out. 2022.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/musica-de-salao-e-modernismo-o-violao-em-sao-paulo-nos-idos-de-1920-flavia-prando-e-flavia-toni-anppom-out-2022\/\" aria-label=\"Read more about M\u00fasica de sal\u00e3o e modernismo: o viol\u00e3o em S\u00e3o Paulo nos idos de 1920. Fl\u00e1via Prando e Fl\u00e1via Toni. ANPPOM, out. 2022.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t22 de abril de 2022\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1656 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/sons-sonoridades-e-musicas-nas-casas-e-nos-quintais-paulistanos-vitoria-rasmoska-revista-epigrafe-sp-vol-11-no-1-2022\/\" >\n\t\t\t\tSons, sonoridades e m\u00fasicas nas casas e nos quintais paulistanos. Vit\u00f3ria Rasmoska.\u00a0Revista\u00a0Ep\u00edgrafe.\u00a0SP. Vol 11, N\u00ba 1, 2022\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/sons-sonoridades-e-musicas-nas-casas-e-nos-quintais-paulistanos-vitoria-rasmoska-revista-epigrafe-sp-vol-11-no-1-2022\/\" aria-label=\"Read more about Sons, sonoridades e m\u00fasicas nas casas e nos quintais paulistanos. Vit\u00f3ria Rasmoska.\u00a0Revista\u00a0Ep\u00edgrafe.\u00a0SP. Vol 11, N\u00ba 1, 2022\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t26 de mar\u00e7o de 2022\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1660 post type-post status-publish format-standard hentry category-artigos\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/cafes-com-musica-novas-praticas-culturais-e-sociabilidades-musicais-em-sao-paulo-no-inicio-do-seculo-xx-jose-geraldo-vinci-de-moraes-revista-brasileira-de-historia-sao-paulo-v-42-no-89-20\/\" >\n\t\t\t\tCaf\u00e9s com m\u00fasica. Novas pr\u00e1ticas culturais e sociabilidades musicais em S\u00e3o Paulo no in\u00edcio do s\u00e9culo XX. Jos\u00e9 Geraldo Vinci de Moraes.\u00a0Revista Brasileira de Hist\u00f3ria. S\u00e3o Paulo, v. 42, n\u00ba 89, 2022\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/cafes-com-musica-novas-praticas-culturais-e-sociabilidades-musicais-em-sao-paulo-no-inicio-do-seculo-xx-jose-geraldo-vinci-de-moraes-revista-brasileira-de-historia-sao-paulo-v-42-no-89-20\/\" aria-label=\"Read more about Caf\u00e9s com m\u00fasica. Novas pr\u00e1ticas culturais e sociabilidades musicais em S\u00e3o Paulo no in\u00edcio do s\u00e9culo XX. Jos\u00e9 Geraldo Vinci de Moraes.\u00a0Revista Brasileira de Hist\u00f3ria. S\u00e3o Paulo, v. 42, n\u00ba 89, 2022\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t25 de mar\u00e7o de 2022\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1662 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/cafes-with-music-new-cultural-practices-and-musical-sociabilities-in-sao-paulo-at-the-beginning-of-the-twentieth-century-jose-geraldo-vinci-de-moraes-brazilian-history-magazine-sao-paulo-v\/\" >\n\t\t\t\tCaf\u00e9s with Music. New Cultural Practices and Musical Sociabilities in S\u00e3o Paulo at the Beginning of the Twentieth Century. Jos\u00e9 Geraldo Vinci de Moraes.\u00a0Brazilian History Magazine. S\u00e3o Paulo, v. 42, n\u00ba 89, 2022.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/cafes-with-music-new-cultural-practices-and-musical-sociabilities-in-sao-paulo-at-the-beginning-of-the-twentieth-century-jose-geraldo-vinci-de-moraes-brazilian-history-magazine-sao-paulo-v\/\" aria-label=\"Read more about Caf\u00e9s with Music. New Cultural Practices and Musical Sociabilities in S\u00e3o Paulo at the Beginning of the Twentieth Century. Jos\u00e9 Geraldo Vinci de Moraes.\u00a0Brazilian History Magazine. S\u00e3o Paulo, v. 42, n\u00ba 89, 2022.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t25 de mar\u00e7o de 2022\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1803 post type-post status-publish format-standard hentry category-artigos\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/o-que-e-uma-mercadoria-musical-no-seculo-xix-caio-felipe-tavares-resenha-original-2021-2\/\" >\n\t\t\t\tO que \u00e9 uma mercadoria musical no s\u00e9culo XIX, Caio Felipe Tavares. Resenha.\u00a0Original\u00a02021.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/o-que-e-uma-mercadoria-musical-no-seculo-xix-caio-felipe-tavares-resenha-original-2021-2\/\" aria-label=\"Read more about O que \u00e9 uma mercadoria musical no s\u00e9culo XIX, Caio Felipe Tavares. Resenha.\u00a0Original\u00a02021.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t30 de mar\u00e7o de 2021\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1801 post type-post status-publish format-standard hentry category-artigos\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/the-beatles-e-sua-discografia-na-colombia-1964-1971-matheus-lacorte-naman-angelo-de-castro-resenha-original-2021\/\" >\n\t\t\t\tThe Beatles e sua discografia na Col\u00f4mbia (1964 \u2013 1971). Matheus Lacorte Naman Angelo de Castro. Resenha.\u00a0Original. 2021.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/the-beatles-e-sua-discografia-na-colombia-1964-1971-matheus-lacorte-naman-angelo-de-castro-resenha-original-2021\/\" aria-label=\"Read more about The Beatles e sua discografia na Col\u00f4mbia (1964 \u2013 1971). Matheus Lacorte Naman Angelo de Castro. Resenha.\u00a0Original. 2021.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t30 de mar\u00e7o de 2021\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1799 post type-post status-publish format-standard hentry category-artigos\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/experimentos-de-uma-escuta-moderna-a-gravacao-mecanica-em-estudios-itinerantes-na-america-latina-1901-1925-henrique-masera-lopes-resenha-original-2021\/\" >\n\t\t\t\t\u00a0Experimentos de uma escuta moderna: a grava\u00e7\u00e3o mec\u00e2nica em est\u00fadios itinerantes na Am\u00e9rica Latina (1901-1925). Henrique Masera Lopes. Resenha.\u00a0Original. 2021.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/experimentos-de-uma-escuta-moderna-a-gravacao-mecanica-em-estudios-itinerantes-na-america-latina-1901-1925-henrique-masera-lopes-resenha-original-2021\/\" aria-label=\"Read more about \u00a0Experimentos de uma escuta moderna: a grava\u00e7\u00e3o mec\u00e2nica em est\u00fadios itinerantes na Am\u00e9rica Latina (1901-1925). Henrique Masera Lopes. Resenha.\u00a0Original. 2021.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t30 de mar\u00e7o de 2021\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1664 post type-post status-publish format-standard hentry category-artigos category-textos-e-audios\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/eneida-amor-e-fantasia-eneida-de-moraes-1904-1971-militancia-e-feminismo-na-historia-do-carnaval-carioca-jose-geraldo-vinci-de-moraes-e-flavia-guia-carnevali-musica-p\/\" >\n\t\t\t\t\u201cEneida, Amor e Fantasia\u201d. Eneida de Moraes (1904-1971) \u2013 milit\u00e2ncia e feminismo na hist\u00f3ria do carnaval carioca. Jos\u00e9 Geraldo Vinci de Moraes e Fl\u00e1via Guia Carnevali. M\u00fasica Popular em Revista. 2021\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/eneida-amor-e-fantasia-eneida-de-moraes-1904-1971-militancia-e-feminismo-na-historia-do-carnaval-carioca-jose-geraldo-vinci-de-moraes-e-flavia-guia-carnevali-musica-p\/\" aria-label=\"Read more about \u201cEneida, Amor e Fantasia\u201d. Eneida de Moraes (1904-1971) \u2013 milit\u00e2ncia e feminismo na hist\u00f3ria do carnaval carioca. Jos\u00e9 Geraldo Vinci de Moraes e Fl\u00e1via Guia Carnevali. M\u00fasica Popular em Revista. 2021\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t25 de mar\u00e7o de 2021\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2156 post type-post status-publish format-standard hentry category-artigos\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/presenca-de-violonistas-em-sao-paulo-no-seculo-xix-flavia-prando-revista-vortex-curitiba-v-8-n-3-p-1-20-2020\/\" >\n\t\t\t\tPresen\u00e7a de violonistas em S\u00e3o Paulo no s\u00e9culo XIX. Fl\u00e1via Prando. Revista V\u00f3rtex, Curitiba, v.8, n.3, p. 1-20, 2020\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/presenca-de-violonistas-em-sao-paulo-no-seculo-xix-flavia-prando-revista-vortex-curitiba-v-8-n-3-p-1-20-2020\/\" aria-label=\"Read more about Presen\u00e7a de violonistas em S\u00e3o Paulo no s\u00e9culo XIX. Fl\u00e1via Prando. Revista V\u00f3rtex, Curitiba, v.8, n.3, p. 1-20, 2020\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t22 de abril de 2020\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1672 post type-post status-publish format-standard hentry category-artigos\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/do-jornalismo-ao-livro-itinerarios-de-uma-historiografia-da-musica-popular-no-brasil-anos-1960-70-jose-geraldo-vinci-de-moraes-revista-historia-sao-paulo-2020\/\" >\n\t\t\t\tDo jornalismo ao livro: itiner\u00e1rios de uma historiografia da m\u00fasica popular no Brasil (anos 1960\/70). Jos\u00e9 Geraldo Vinci de Moraes.\u00a0Revista Hist\u00f3ria (S\u00e3o Paulo). 2020.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/do-jornalismo-ao-livro-itinerarios-de-uma-historiografia-da-musica-popular-no-brasil-anos-1960-70-jose-geraldo-vinci-de-moraes-revista-historia-sao-paulo-2020\/\" aria-label=\"Read more about Do jornalismo ao livro: itiner\u00e1rios de uma historiografia da m\u00fasica popular no Brasil (anos 1960\/70). Jos\u00e9 Geraldo Vinci de Moraes.\u00a0Revista Hist\u00f3ria (S\u00e3o Paulo). 2020.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t20 de mar\u00e7o de 2020\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1674 post type-post status-publish format-standard hentry category-artigos\" role=\"listitem\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/o-cotidiano-ludico-dos-engraxates-paulistanos-jose-geraldo-vinci-de-moraes-e-andre-augusto-dos-santos-revista-praxis-2020\/\" >\n\t\t\t\tO cotidiano l\u00fadico dos engraxates paulistanos. Jos\u00e9 Geraldo Vinci de Moraes e Andr\u00e9 Augusto dos Santos. Revista Pr\u00e1xis. 2020.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t\t<div class=\"elementor-post__read-more-wrapper\">\n\t\t\n\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/artigos\/o-cotidiano-ludico-dos-engraxates-paulistanos-jose-geraldo-vinci-de-moraes-e-andre-augusto-dos-santos-revista-praxis-2020\/\" aria-label=\"Read more about O cotidiano l\u00fadico dos engraxates paulistanos. Jos\u00e9 Geraldo Vinci de Moraes e Andr\u00e9 Augusto dos Santos. Revista Pr\u00e1xis. 2020.\" tabindex=\"-1\" >\n\t\t\tLer Mais \u00bb\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t19 de mar\u00e7o de 2020\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t<span class=\"e-load-more-spinner\">\n\t\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-spinner\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M304 48c0 26.51-21.49 48-48 48s-48-21.49-48-48 21.49-48 48-48 48 21.49 48 48zm-48 368c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 48-48-21.49-48-48-48zm208-208c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 48-48-21.49-48-48-48zM96 256c0-26.51-21.49-48-48-48S0 229.49 0 256s21.49 48 48 48 48-21.49 48-48zm12.922 99.078c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 48-48c0-26.509-21.491-48-48-48zm294.156 0c-26.51 0-48 21.49-48 48s21.49 48 48 48 48-21.49 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