{"id":1708,"date":"2010-03-30T17:11:09","date_gmt":"2010-03-30T20:11:09","guid":{"rendered":"https:\/\/webprisma.com.br\/memoriadamusica\/?p=1708"},"modified":"2024-05-02T12:58:17","modified_gmt":"2024-05-02T15:58:17","slug":"historia-e-musica-no-brasil-jose-geraldo-vinci-de-moraes-e-elias-t-saliba-sp-ed-alameda-2010","status":"publish","type":"post","link":"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/livros\/historia-e-musica-no-brasil-jose-geraldo-vinci-de-moraes-e-elias-t-saliba-sp-ed-alameda-2010\/","title":{"rendered":"Hist\u00f3ria e M\u00fasica no Brasil. Jos\u00e9 Geraldo Vinci de Moraes e Elias T. Saliba. SP: Ed. Alameda. 2010."},"content":{"rendered":"\t\t
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\"Historia_e_musica\"<\/p>\n

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Cap\u00edtulo I \u2013 M\u00fasica na Am\u00e9rica portuguesa<\/strong><\/p>\n

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1. Matais de inc\u00eandios. An\u00f4nimo (primeira metade do s\u00e9culo VIII\u00a0Hist\u00f3ria da M\u00fasica Brasileira: Per\u00edodo Colonial I. Vox Brasiliensis, Reg\u00eancia de Ricardo Kanji.\u00a0Eldorado, CD\u00a0, SP,\u00a01998.<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
2. Missa abreviada em R\u00e9. Manoel Dias de Oliveira. Kyrie (segunda metade do s\u00e9culo XVIII)Coral de C\u00e2mara S\u00e3o Paulo e Orquestra Engenho Barroco. Reg\u00eancia Naomi Munakata.Funda\u00e7\u00e3o Cultural e Educacional da Arquidiocese de Mariana\/Bureau Cultura,l CD, ,\u00a01991.\u00a0<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
+\u00a0Idem<\/em>. Gloria<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
+\u00a0Idem<\/em>. Domine Deus<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
+\u00a0Idem<\/em>. Qui tollis<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
+\u00a0Idem<\/em>. Quoniam<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
+\u00a0Idem<\/em>. Cum Sancto Spiritu<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

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Cap\u00edtulo II – Aspectos da m\u00fasica no Brasil na 1\u00aa metade do s\u00e9culo XIX<\/strong><\/p>\n

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3. Missa em mi bemol. Padre Jos\u00e9 Maur\u00edcio Nunes Garcia (1800\/1810).Coral de C\u00e2mara S\u00e3o Paulo e Orquestra Engenho Barroco. Reg\u00eancia Naomi MunakataFunda\u00e7\u00e3o Cultural e Educacional da Arquidiocese de Mariana\/Bureau Cultural, CD,\u00a0 1991<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
4. Lundu. An\u00f4nimo (recolhido por Spix e Martius em 1815)Hist\u00f3ria da M\u00fasica Brasileira: Per\u00edodo Colonial II. Vox Brasiliensis. Reg\u00eancia de Ricardo Kanji.Eldorado, CD, SP. 1998.<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

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Cap\u00edtulo III – Batuque: mediadores culturais do final do s\u00e9culo XIX<\/strong><\/p>\n

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5. Batuque. Henrique Alves Mesquita (cerca de 1870)Victor 99.716. Banda do Corpo de Bombeiros. 1910.<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
6. Batuque. Ernesto Nazareth (1913)Sempre Nazareth<\/em>. Kuarup Discos. Maria Tereza Madeira e Pedro Amorim. Rio de Janeiro. 1997.\u00a0<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

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\u00a0<\/strong>Cap\u00edtulo IV – Imagens da escuta: tradu\u00e7\u00f5es sonoras de Pixinguinha<\/strong><\/p>\n

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7. Chegou a hora da fogueira. Lamartine BaboVictor 33671-A. Diabos do C\u00e9u, Carmen Miranda e M\u00e1rio Reis. 1933.<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
8. Gavi\u00e3o cal\u00e7udo. Pixinguinha e C\u00edcero de Almeida.Parlophon 12916-A. Patr\u00edcio Teixeira e Orquestra T\u00edpica Pixinguinha-Donga. 1929.<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

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\u00a0Cap\u00edtulo V – Entre a mem\u00f3ria e a hist\u00f3ria da m\u00fasica popular<\/strong><\/p>\n

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9. Curiosidades musicais. Almirante.\u00a0R\u00e1dio Nacional. Programa Cantigas dos capoeiras da Bahia. Cole\u00e7\u00e3o Assim era o r\u00e1dio, Collector’s Studios Ltda, RJ.20\/06\/1938<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
10. O pessoal da velha guarda. Almirante.\u00a0R\u00e1dio Tamoio e Tupi. Cole\u00e7\u00e3o Assim era o r\u00e1dio, Collector’s Studios Ltda, RJ.08\/10\/1947<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
Cap\u00edtulo VI – Samba exalta\u00e7\u00e3o. Fantasia de um Brasil brasileiro

<\/strong>11. Quem d\u00e1 mais? (ou Leil\u00e3o do Brasil). Noel Rosa.Odeon, 10.931-A. Noel Rosa com Orquestra Copacabana. 1932.<\/a><\/td>\n		\u00a0<\/td>\n<\/tr>\n
12. Brasil, usina do mundo. Jo\u00e3o de Barro e Alcir P. Vermelho.Columbia 55.374-A. D\u00e9o e conjunto. 1942.<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

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\u00a0<\/strong>Cap\u00edtulo VII – Vitrola paulistana pelos olhos e ouvidos de um basbaque-andarilho<\/strong><\/p>\n

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13. Mam\u00e3e me leva. Nabor Pires Camargo e Dieno Castanho.Imperador, n\u00ba 1041. Arthur Castro. 1926.<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
14. Em ti pensando. Jos\u00e9 Rizzo.Arte-fone n\u00ba 4017-A. Alberto Marino. 1931\/1932.<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

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Cap\u00edtulo VIII – Na trilha das grandes orquestras. ABC da cidade moderna: Avi\u00f5es, Bailes e Cinema<\/strong><\/p>\n

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15. Sempre no meu Cora\u00e7\u00e3o (Always in my heart).\u00a0Ernesto Leucuona e\u00a0Kin Ganon.Odeon. Orlando Silva.\u00a01943.<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
16. Poeira de estrelas. (Star Dust) \u2013 H. Carmichael e M. Parish.Continental. Orquestra Tabajara de Severino Araujo. 1946.<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

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Cap\u00edtulo I \u2013 M\u00fasica na Am\u00e9rica portuguesa 1. Matais de inc\u00eandios. An\u00f4nimo (primeira metade do s\u00e9culo VIII\u00a0Hist\u00f3ria da M\u00fasica Brasileira: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[12],"tags":[],"class_list":["post-1708","post","type-post","status-publish","format-standard","hentry","category-livros"],"_links":{"self":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/posts\/1708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/comments?post=1708"}],"version-history":[{"count":0,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/posts\/1708\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/media?parent=1708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/categories?post=1708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/tags?post=1708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}