{"id":2938,"date":"2025-09-06T00:17:24","date_gmt":"2025-09-06T03:17:24","guid":{"rendered":"https:\/\/www.memoriadamusica.com.br\/?p=2938"},"modified":"2025-09-06T14:22:22","modified_gmt":"2025-09-06T17:22:22","slug":"da-liberdade-como-beneficio-e-encenada-como-magica-uma-critica-a-tecnologia-emancipatoria-posta-em-cena-pelo-movimento-abolicionista-nos-teatros-1880-1888-luiz-paulo-pimentel-de-souza-revista-sal","status":"publish","type":"post","link":"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/da-liberdade-como-beneficio-e-encenada-como-magica-uma-critica-a-tecnologia-emancipatoria-posta-em-cena-pelo-movimento-abolicionista-nos-teatros-1880-1888-luiz-paulo-pimentel-de-souza-revista-sal\/","title":{"rendered":"Da liberdade como benef\u00edcio e encenada como m\u00e1gica: uma cr\u00edtica \u00e0 tecnologia emancipat\u00f3ria posta em cena pelo movimento abolicionista nos teatros (1880-1888). Luiz Paulo Pimentel de Souza. Revista Sala Preta, Vol. 24, n. 2. S\u00e3o Paulo, 2025."},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"2938\" class=\"elementor elementor-2938\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6f07838 e-flex e-con-boxed e-con e-parent\" data-id=\"6f07838\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1527951 elementor-widget elementor-widget-heading\" data-id=\"1527951\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/revistas.usp.br\/salapreta\/article\/view\/234126\/216468\">Link<\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-347fc69 elementor-widget elementor-widget-text-editor\" data-id=\"347fc69\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>SOUZA, Luiz Paulo Pimentel de. <strong>Da liberdade como benef\u00edcio e encenada como m\u00e1gica: uma cr\u00edtica \u00e0 tecnologia emancipat\u00f3ria posta em cena pelo movimento abolicionista nos teatros (1880-1888).\u00a0<\/strong><span style=\"font-size: 1rem;\">Revista Sala Preta, Vol. 24, n. 2, p. 163-194. S\u00e3o Paulo, 2025.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Link SOUZA, Luiz Paulo Pimentel de. Da liberdade como benef\u00edcio e encenada como m\u00e1gica: uma cr\u00edtica \u00e0 tecnologia emancipat\u00f3ria posta [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13,11,10],"tags":[],"class_list":["post-2938","post","type-post","status-publish","format-standard","hentry","category-artigos","category-recentes","category-textos-e-audios"],"_links":{"self":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/posts\/2938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/comments?post=2938"}],"version-history":[{"count":9,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/posts\/2938\/revisions"}],"predecessor-version":[{"id":2964,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/posts\/2938\/revisions\/2964"}],"wp:attachment":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/media?parent=2938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/categories?post=2938"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/tags?post=2938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}