{"id":519,"date":"2023-03-29T14:40:45","date_gmt":"2023-03-29T17:40:45","guid":{"rendered":"https:\/\/webprisma.com.br\/memoriadamusica\/?p=519"},"modified":"2024-05-02T12:14:14","modified_gmt":"2024-05-02T15:14:14","slug":"dossie-historia-e-cultura-sonoras-revista-historia-sao-paulo-n-182-2023","status":"publish","type":"post","link":"https:\/\/www.memoriadamusica.com.br\/index.php\/textos-e-audios\/recentes\/dossie-historia-e-cultura-sonoras-revista-historia-sao-paulo-n-182-2023\/","title":{"rendered":"Dossi\u00ea Hist\u00f3ria e Cultura Sonoras. Revista Hist\u00f3ria. (S\u00e3o Paulo), n.182, 2023"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"519\" class=\"elementor elementor-519\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-95524cb e-flex e-con-boxed e-con e-parent\" data-id=\"95524cb\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-d7b14c9 e-flex e-con-boxed e-con e-child\" data-id=\"d7b14c9\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-de71a91 elementor-widget elementor-widget-html\" data-id=\"de71a91\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<style class=\"accordion-closed-on-load\">\nbody:not(.elementor-editor-active) .elementor-widget-accordion .elementor-tab-content {\ndisplay: none!important;\n}\n<\/style>\n<script>\nwindow.addEventListener('load', function() {\nsetTimeout(function(){\ndocument.querySelector('.accordion-closed-on-load').remove();\nlet accordionsElems = document.querySelectorAll('.elementor-widget-accordion')\naccordionsElems.forEach(e => {\nlet activeTitle = e.querySelector('.elementor-tab-title.elementor-active');\nlet activeContent = e.querySelector('.elementor-tab-content.elementor-active')\njQuery(activeContent).hide();\nactiveTitle.classList.remove('elementor-active');\nactiveContent.classList.remove('elementor-active');\nactiveContent.setAttribute('hidden','hidden');\nactiveTitle.setAttribute('aria-expanded',false);\nactiveTitle.setAttribute('aria-selected',false);\nactiveTitle.setAttribute('tabindex',-1);\n});\n},100);\n});\n<\/script>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-43a563e e-flex e-con-boxed e-con e-parent\" data-id=\"43a563e\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-38182ed3 elementor-widget elementor-widget-text-editor\" data-id=\"38182ed3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p><strong>Roteiro Sonoro\u00a0<\/strong><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e646fa5 e-flex e-con-boxed e-con e-parent\" data-id=\"e646fa5\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-38723e7 elementor-widget elementor-widget-accordion\" data-id=\"38723e7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-5911\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-5911\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><svg class=\"e-font-icon-svg e-fas-chevron-down\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M207.029 381.476L12.686 187.132c-9.373-9.373-9.373-24.569 0-33.941l22.667-22.667c9.357-9.357 24.522-9.375 33.901-.04L224 284.505l154.745-154.021c9.379-9.335 24.544-9.317 33.901.04l22.667 22.667c9.373 9.373 9.373 24.569 0 33.941L240.971 381.476c-9.373 9.372-24.569 9.372-33.942 0z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><svg class=\"e-font-icon-svg e-fas-chevron-up\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M240.971 130.524l194.343 194.343c9.373 9.373 9.373 24.569 0 33.941l-22.667 22.667c-9.357 9.357-24.522 9.375-33.901.04L224 227.495 69.255 381.516c-9.379 9.335-24.544 9.317-33.901-.04l-22.667-22.667c-9.373-9.373-9.373-24.569 0-33.941L207.03 130.525c9.372-9.373 24.568-9.373 33.941-.001z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">1) Hist\u00f3ria e cultura sonora: a historiciza\u00e7\u00e3o das escutas e dos sons. Virg\u00ednia de Almeida Bessa. Juliana P\u00e9rez Gonz\u00e1lez. Cac\u00e1 Machado. Jos\u00e9 Geraldo Vinci de Moraes. (n\u00e3o existem \u00e1udios)<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-5911\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-5911\"><p>&#8212;<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-5912\" class=\"elementor-tab-title\" data-tab=\"2\" role=\"button\" aria-controls=\"elementor-tab-content-5912\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><svg class=\"e-font-icon-svg e-fas-chevron-down\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M207.029 381.476L12.686 187.132c-9.373-9.373-9.373-24.569 0-33.941l22.667-22.667c9.357-9.357 24.522-9.375 33.901-.04L224 284.505l154.745-154.021c9.379-9.335 24.544-9.317 33.901.04l22.667 22.667c9.373 9.373 9.373 24.569 0 33.941L240.971 381.476c-9.373 9.372-24.569 9.372-33.942 0z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><svg class=\"e-font-icon-svg e-fas-chevron-up\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M240.971 130.524l194.343 194.343c9.373 9.373 9.373 24.569 0 33.941l-22.667 22.667c-9.357 9.357-24.522 9.375-33.901.04L224 227.495 69.255 381.516c-9.379 9.335-24.544 9.317-33.901-.04l-22.667-22.667c-9.373-9.373-9.373-24.569 0-33.941L207.03 130.525c9.372-9.373 24.568-9.373 33.941-.001z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">2) Retrato do disco como \u201cmediador fluido\u201d das culturas pol\u00edticas Jonathan Thomas<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-5912\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"region\" aria-labelledby=\"elementor-tab-title-5912\"><p><strong>Roteiro Sonoro<\/strong><\/p>\n<p><a href=\"http:\/\/www.phonobase.org\/11049.html\">\u00c9coute 1<\/a>.\u00a0<em>Jules Guesde sur son lit de mort. Ses derni\u00e8res paroles<\/em>, recueillies par Comp\u00e8re-Morel. Disque ERSA n\u00b0 102 (5003), 1930.<\/p>\n<p><a href=\"http:\/\/www.phonobase.org\/11050.html\">\u00c9coute 2<\/a>.\u00a0<em>Une belle page de Guesde<\/em>, lue au micro par Comp\u00e8re-Morel. Disque ERSA n\u00b0 102 (5003), 1930.<\/p>\n<p><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1082253t\/f1.media\">\u00c9coute 3<\/a>.\u00a0<em>Testament de Louis XVI<\/em>, par M. George Colin. Disque H\u00e9betot EY-4003 (Face A), 1932.<\/p>\n<p><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1082253t\/f2.media\">\u00c9coute 4<\/a>.\u00a0<em>Derni\u00e8re lettre de la Reine Marie-Antoinette \u00e0 Madame \u00c9lisabeth<\/em>, par M. George Colin. Disque H\u00e9betot EY-4003 (Face B), 1932.<\/p>\n<p><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k10822458\/f1.media\">\u00c9coute 5<\/a>.\u00a0<em>Le Proc\u00e8s de Louis XVI &#8211; L&#8217;int\u00e9rrogatoire, par M. George Colin. Disque H\u00e9bertot EY-4.004 (Face A). 1932.<\/em><\/p>\n<p><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k10822458\/f2.media\">\u00c9coute 6<\/a>.\u00a0<em>Le Proc\u00e8s de Louis XVI &#8211; Plaidoirie de S\u00e8ze, par M. George Colin. Disque H\u00e9bertot, EY-4.004 (Face B), 1932.<\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-5913\" class=\"elementor-tab-title\" data-tab=\"3\" role=\"button\" aria-controls=\"elementor-tab-content-5913\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><svg class=\"e-font-icon-svg e-fas-chevron-down\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M207.029 381.476L12.686 187.132c-9.373-9.373-9.373-24.569 0-33.941l22.667-22.667c9.357-9.357 24.522-9.375 33.901-.04L224 284.505l154.745-154.021c9.379-9.335 24.544-9.317 33.901.04l22.667 22.667c9.373 9.373 9.373 24.569 0 33.941L240.971 381.476c-9.373 9.372-24.569 9.372-33.942 0z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><svg class=\"e-font-icon-svg e-fas-chevron-up\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M240.971 130.524l194.343 194.343c9.373 9.373 9.373 24.569 0 33.941l-22.667 22.667c-9.357 9.357-24.522 9.375-33.901.04L224 227.495 69.255 381.516c-9.379 9.335-24.544 9.317-33.901-.04l-22.667-22.667c-9.373-9.373-9.373-24.569 0-33.941L207.03 130.525c9.372-9.373 24.568-9.373 33.941-.001z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">3) Escuta profissional: ouvindo passados sens\u00edveis em artefatos e m\u00e1quinas de reprodu\u00e7\u00e3o sonora (1908-2001). Bruno Tavares Magalh\u00e3es Macedo<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-5913\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"region\" aria-labelledby=\"elementor-tab-title-5913\"><p><strong>Roteiro Sonoro<\/strong><\/p>\n<p><a href=\"https:\/\/www.memoriadamusica.com.br\/site\/images\/Escuta_profissional\/Escuta%201.%20Canide%20Ioune.%20Canto%20Tupinamba%CC%81.mp3\" target=\"_blank\" rel=\"noopener\">Escuta 1<\/a>.\u00a0<em>Canide\u00a0<\/em>Ioune. Autor desconhecido. Recolhido por Jean de Lery. 1585. Arranjo: Marcia Taborda. Faixa 1 CD\u00a0<em>500 anos da m\u00fasica popular brasileira<\/em>. MIS Editorial. Rio de Janeiro. 2001.<\/p>\n<p><a href=\"https:\/\/www.memoriadamusica.com.br\/site\/images\/Escuta_profissional\/Escuta%202.%20%20Uma%20noite%20na%20folia.%20Quadrilha.mp3\" target=\"_blank\" rel=\"noopener\">Escuta 2<\/a>.\u00a0<em>Uma noite de folia<\/em>.\u00a0 Antonio Calado. Rio de Janeiro: Federa\u00e7\u00e3o Nacional dos Bancos, 1983.\u00a0 Faixa 9 do CD\u00a0<em>500 anos da m\u00fasica popular brasileira<\/em>. MIS Editorial. Rio de Janeiro. 2001.<\/p>\n<p><a href=\"https:\/\/www.memoriadamusica.com.br\/site\/images\/Escuta_profissional\/Escuta%203.%20Isto%20e%CC%81%20bom.%20Lundu.mp3\" target=\"_blank\" rel=\"noopener\">Escuta 3<\/a>.\u00a0<em>Isto \u00e9 bom<\/em>. Xisto Bahia. Int\u00e9rprete: Eduardo das Neves. Odeon, 1908.\u00a0 Faixa 6 do CD\u00a0<em>500 anos da m\u00fasica popular brasileira<\/em>. MIS Editorial. Rio de Janeiro. 2001.<\/p>\n<p><a href=\"https:\/\/www.memoriadamusica.com.br\/site\/images\/Escuta_profissional\/Escuta%204.%20Se%20voce%CC%82%20jurar.%20Samba.mp3\" target=\"_blank\" rel=\"noopener\">Escuta 4<\/a>.\u00a0<em>Se voc\u00ea jurar.<\/em>\u00a0Ismael Silva e Nilton Bastos. Int\u00e9rpretes: F. Alves e M. Reis. Odeon 10747 5. Matriz 4080. 1931. Faixa 16 do CD\u00a0<em>500 anos da m\u00fasica popular brasileira<\/em>. MIS Editorial. Rio de Janeiro. 2001<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-5914\" class=\"elementor-tab-title\" data-tab=\"4\" role=\"button\" aria-controls=\"elementor-tab-content-5914\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><svg class=\"e-font-icon-svg e-fas-chevron-down\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M207.029 381.476L12.686 187.132c-9.373-9.373-9.373-24.569 0-33.941l22.667-22.667c9.357-9.357 24.522-9.375 33.901-.04L224 284.505l154.745-154.021c9.379-9.335 24.544-9.317 33.901.04l22.667 22.667c9.373 9.373 9.373 24.569 0 33.941L240.971 381.476c-9.373 9.372-24.569 9.372-33.942 0z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><svg class=\"e-font-icon-svg e-fas-chevron-up\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M240.971 130.524l194.343 194.343c9.373 9.373 9.373 24.569 0 33.941l-22.667 22.667c-9.357 9.357-24.522 9.375-33.901.04L224 227.495 69.255 381.516c-9.379 9.335-24.544 9.317-33.901-.04l-22.667-22.667c-9.373-9.373-9.373-24.569 0-33.941L207.03 130.525c9.372-9.373 24.568-9.373 33.941-.001z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">4) A cor do som: constru\u00e7\u00e3o de alteridade e racialidade na fonografia brasileira em 78 rota\u00e7\u00f5es na primeira metade do s\u00e9c. XX. Maya Suemi Lemos. Pedro Arag\u00e3o<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-5914\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"4\" role=\"region\" aria-labelledby=\"elementor-tab-title-5914\"><p><strong>Roteiro Sonoro<\/strong><\/p>\n<p><a href=\"https:\/\/discografiabrasileira.com.br\/fonograma\/571\/isto-e-bom\">Escuta 1<\/a>.\u00a0<em>Isto \u00e9 bom.\u00a0<\/em>Xisto Bahia. Int\u00e9rprete: Bahiano. Zon-o-phone 10001. 1902.<\/p>\n<p><a href=\"https:\/\/discografiabrasileira.com.br\/fonograma\/12506\/imitacao-d-um-batuque-africano\">Escuta 2<\/a>.\u00a0<em>Imita\u00e7\u00e3o\u00a0<\/em><em>d&#8217;um\u00a0<\/em><em>batuque africano<\/em>. Int\u00e9rprete: C\u00e9sar Nunes. Victor R 98702. 1907.<\/p>\n<p><a href=\"https:\/\/discografiabrasileira.com.br\/fonograma\/20733\/o-vatapa\">Escuta 3<\/a>.\u00a0<em>O Vatap\u00e1<\/em>. Paulino Sacramento. Int\u00e9rpretes: Medina de Sousa e Geraldo Magalh\u00e3es. Victor R 98453. 1910.<\/p>\n<p><a href=\"https:\/\/discografiabrasileira.com.br\/fonograma\/40889\/cade-vira-mundo\">Escuta 4<\/a>.\u00a0<em>Cad\u00ea vira mundo.\u00a0<\/em>J.B.Carvalho. Int\u00e9rprete: Conjunto Tupi. Victor 33459. 1931.<\/p>\n<p><a href=\"https:\/\/discografiabrasileira.com.br\/fonograma\/30489\/macumba-canto-de-exu\">Escuta 5<\/a>.\u00a0<em>Canto de Exu.<\/em>\u00a0(Lado A). Int\u00e9rprete: Eloy Antero Dias e Get\u00falio Marinho Amor e Conjunto Africano. Odeon 10690. 1930.<\/p>\n<p><a href=\"https:\/\/discografiabrasileira.com.br\/fonograma\/30492\/macumba-canto-de-ogum\">Escuta 6<\/a>.\u00a0<em>Canto de Ogum.\u00a0<\/em>(Lado B) Int\u00e9rprete: Eloy Antero Dias e Get\u00falio Marinho Amor e Conjunto Africano. Odeon 10690. 1930.<\/p>\n<p><a href=\"https:\/\/discografiabrasileira.com.br\/fonograma\/46114\/candomble-a-odure-b-eriua\">Escuta 7<\/a>. Candombl\u00e9. (Lado A) A) Odur\u00e9 \u2013 B) Eriu\u00e1. (Parlophon 13254). Felipe Nery Concei\u00e7\u00e3o. Int\u00e9rprete: Filhos de Nag\u00f4. 1931.<\/p>\n<p><a href=\"https:\/\/discografiabrasileira.com.br\/fonograma\/46119\/candomble-c-canto-de-exu-d-canto-de-ogum\">Escuta 8<\/a>. Candombl\u00e9. (Lado A) C) canto de Ex\u00fa \u2013 D) Canto de Ogum. Felipe Nery Concei\u00e7\u00e3o. Int\u00e9rprete: Filhos de Nag\u00f4. Parlophon 13254. 1931. In:<\/p>\n<p><a href=\"https:\/\/discografiabrasileira.com.br\/fonograma\/40949\/nego-de-pe-espaiado\">Escuta 9<\/a>. N\u00eago de p\u00e9 espaiado. J.B. Carvalho. Int\u00e9rprete. Conjunto Tupi. Victor 33482. 1931.<\/p>\n<p><a href=\"https:\/\/discografiabrasileira.com.br\/fonograma\/42237\/quando-o-sol-sair\">Escuta 10<\/a>.\u00a0<em>Quando o sol sair<\/em>. J.B. Carvalho. Int\u00e9rprete: Conjunto Tupi. Victor 33784. 1934.<\/p>\n<p><a href=\"https:\/\/discografiabrasileira.com.br\/fonograma\/34833\/fica-no-moco\">Escuta 11<\/a>.\u00a0<em>Fica no moc\u00f3.\u00a0<\/em>J.B.Carvalho. Int\u00e9rprete: Conjunto Tupi. Victor 33516. 1932.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-5915\" class=\"elementor-tab-title\" data-tab=\"5\" role=\"button\" aria-controls=\"elementor-tab-content-5915\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><svg class=\"e-font-icon-svg e-fas-chevron-down\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M207.029 381.476L12.686 187.132c-9.373-9.373-9.373-24.569 0-33.941l22.667-22.667c9.357-9.357 24.522-9.375 33.901-.04L224 284.505l154.745-154.021c9.379-9.335 24.544-9.317 33.901.04l22.667 22.667c9.373 9.373 9.373 24.569 0 33.941L240.971 381.476c-9.373 9.372-24.569 9.372-33.942 0z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><svg class=\"e-font-icon-svg e-fas-chevron-up\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M240.971 130.524l194.343 194.343c9.373 9.373 9.373 24.569 0 33.941l-22.667 22.667c-9.357 9.357-24.522 9.375-33.901.04L224 227.495 69.255 381.516c-9.379 9.335-24.544 9.317-33.901-.04l-22.667-22.667c-9.373-9.373-9.373-24.569 0-33.941L207.03 130.525c9.372-9.373 24.568-9.373 33.941-.001z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">5) Paisagens sonoras: mem\u00f3rias de uma cidade fabril (Rio Grande, RS \u2013 1950-1970). Maria Leticia Mazzucchi Ferreira. Olivia Silva Nery. (n\u00e3o existem \u00e1udios)<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-5915\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"5\" role=\"region\" aria-labelledby=\"elementor-tab-title-5915\"><p>&#8212;<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-5916\" class=\"elementor-tab-title\" data-tab=\"6\" role=\"button\" aria-controls=\"elementor-tab-content-5916\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><svg class=\"e-font-icon-svg e-fas-chevron-down\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M207.029 381.476L12.686 187.132c-9.373-9.373-9.373-24.569 0-33.941l22.667-22.667c9.357-9.357 24.522-9.375 33.901-.04L224 284.505l154.745-154.021c9.379-9.335 24.544-9.317 33.901.04l22.667 22.667c9.373 9.373 9.373 24.569 0 33.941L240.971 381.476c-9.373 9.372-24.569 9.372-33.942 0z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><svg class=\"e-font-icon-svg e-fas-chevron-up\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M240.971 130.524l194.343 194.343c9.373 9.373 9.373 24.569 0 33.941l-22.667 22.667c-9.357 9.357-24.522 9.375-33.901.04L224 227.495 69.255 381.516c-9.379 9.335-24.544 9.317-33.901-.04l-22.667-22.667c-9.373-9.373-9.373-24.569 0-33.941L207.03 130.525c9.372-9.373 24.568-9.373 33.941-.001z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">6) Voces del folclor chileno: producci\u00f3n discogr\u00e1fica y sonidos del pueblo (1950-1986). Laura Jord\u00e1n Gonz\u00e1lez<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-5916\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"6\" role=\"region\" aria-labelledby=\"elementor-tab-title-5916\"><p><strong>Roteiro Sonoro\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/folkways.si.edu\/martina-and-maria-eugenia-diaz\/cerro-adventro-dawn\/latin-world\/music\/track\/smithsonian\">Audici\u00f3n 1<\/a>. \u201cCerro adventro (Dawn)\u201d. Lado A, Pista 4.\u00a0<em>Songs of Chile. Martina and Maria Eugenia Diaz.<\/em>\u00a0Folkways Records, FW 8817, 1957.<\/p>\n<p><a href=\"https:\/\/folkways.si.edu\/martina-and-maria-eugenia-diaz\/la-india-the-indian-maiden\/latin-world\/music\/track\/smithsonian\">Audici\u00f3n 2<\/a>. \u201cLa India (The Indian Maiden)\u201d Lado B. Pista 3.\u00a0<em>Songs of Chile. Martina and Maria Eugenia Diaz.<\/em>\u00a0Folkways Records, FW 8817, 1957.<\/p>\n<p><a href=\"https:\/\/folkways.si.edu\/martina-and-maria-eugenia-diaz\/my-white-horse\/islamica-world\/music\/track\/smithsonian\">Audici\u00f3n 3<\/a>. \u201cMy White Horse\u201d Martina and Maria Eugenia Diaz. Lado A, Pista 2.\u00a0<em>Toward World Understanding with Song.\u00a0<\/em>Vol. 2. Folkways Records, FD 5720, [1966].<\/p>\n<p><a href=\"https:\/\/folkways.si.edu\/chile-festival-dance\/central-asia-islamica-world\/music\/track\/smithsonian\">Audici\u00f3n 4<\/a>. \u201cChile: Festival Dance\u201d. n\/a. Lado A, Pista 3.\u00a0<em>Music of the World\u2019s People\u2019s,<\/em>\u00a0Vol. 2. Henry Cowell ed. Folkways Records, FE 4505, 1956.<\/p>\n<p><a href=\"https:\/\/folkways.si.edu\/festival-dance\/caribbean-world\/music\/track\/smithsonian\">Audici\u00f3n 5<\/a>. \u201cFestival Dance\u201d. n\/a. Lado A, Pista 6.\u00a0<em>The Dances of the World&#8217;s Peoples, Vol. 3: Caribbean and South America<\/em>. Folkways Records, FD 6503, 1958.<\/p>\n<p><a href=\"https:\/\/folkways.si.edu\/grupo-raiz\/tema-de-la-quebrada-de-san-lorenzo-theme-from-valley-of-san-lorenzo\/latin-world\/music\/track\/smithsonian\">Audici\u00f3n 6<\/a>. \u201cTema de la Quebrada de San Lorenzo (Theme from Valley of San Lorenzo)\u201d. Lado B. Pista 3.\u00a0<em>Grupo Ra\u00edz: Amaneceres<\/em>. Monitor Records, MON00812, 1981.<\/p>\n<p><a href=\"https:\/\/folkways.si.edu\/grupo-raiz\/amaneceres-the-daybreak\/latin-world\/music\/track\/smithsonian\">Audici\u00f3n 7<\/a>. \u201cAmaneceres (The Daybreak)\u201d. Lado B, Pista 5.\u00a0<em>Grupo Ra\u00edz: Amaneceres.<\/em>\u00a0Monitor Records, MON00812, 1981.<\/p>\n<p><a href=\"https:\/\/folkways.si.edu\/rolando-alarcon\/coplas-del-pajarito-the-little-birds-complaint\/latin-struggle-protest-world\/music\/track\/smithsonian\">Audici\u00f3n 8<\/a>. \u201cCoplas del pajarito (The Little Bird&#8217;s Complaint)\u201d. Int\u00e9rprete Rolando Alarc\u00f3n. Lado A, Pista 8.\u00a0<em>Canci\u00f3n protesta: Protest Song of Latin America.<\/em>\u00a0Paredon Records, PAR 1001,1967.<\/p>\n<p><a href=\"https:\/\/folkways.si.edu\/angel-parra\/me-gustan-los-estudiantes-i-love-the-students\/latin-struggle-protest-world\/music\/track\/smithsonian\">Audici\u00f3n 9<\/a>. \u201cMe gustan los estudiantes (I Love the Students)\u201d. Int\u00e9rprete \u00c1ngel Parra. Lado A, Pista 9.\u00a0<em>Canci\u00f3n protesta: Protest Song of Latin America.<\/em>\u00a0Paredon Records, PAR 1001,1967.<\/p>\n<p><a href=\"https:\/\/folkways.si.edu\/isabel-parra\/porque-los-pobres-no-tienen-because-the-poor-have-nothing\/latin-struggle-protest-world\/music\/track\/smithsonian\">Audici\u00f3n 10<\/a>. \u201cPorque los pobres no tienen (Because the Poor Have Nothing)\u201d. Int\u00e9rprete Isabel Parra. Lado A, Pista 10.\u00a0<em>Canci\u00f3n protesta: Protest Song of Latin America.<\/em>\u00a0Paredon Records, PAR 1001, 1967.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Roteiro Sonoro\u00a0 1) Hist\u00f3ria e cultura sonora: a historiciza\u00e7\u00e3o das escutas e dos sons. Virg\u00ednia de Almeida Bessa. Juliana P\u00e9rez [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[11],"tags":[],"class_list":["post-519","post","type-post","status-publish","format-standard","hentry","category-recentes"],"_links":{"self":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/posts\/519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/comments?post=519"}],"version-history":[{"count":0,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/posts\/519\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/media?parent=519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/categories?post=519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.memoriadamusica.com.br\/index.php\/wp-json\/wp\/v2\/tags?post=519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}